tag:blogger.com,1999:blog-85416715494440301662024-02-07T01:22:18.682-05:00STANDARD MEANS @ Atlanta Contemporary Art CenterAtlanta Contemporary Art Centerhttp://www.blogger.com/profile/14898958872953441358noreply@blogger.comBlogger169125tag:blogger.com,1999:blog-8541671549444030166.post-55172711440069896752014-09-24T12:55:00.001-04:002014-09-24T13:00:48.687-04:00ART PARTY 2014! Video Recap<br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><br />Enjoy this ART PARTY recap video from Kimberly Binns! </b><br />ART PARTY had 1,000 people in attendance and we fundraised to support our exhibitions, public and educational programming, and Studio Artist Program! Thank you to everyone for attending and enjoying a great event to support Atlanta Contemporary Art Center.<br /><br /><b>ART PARTY 2014<br />Saturday, September 13, 7pm-midnight</b></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span class="caps">ART</span> <span class="caps">PARTY</span></b> is our annual signature fundraiser and multi-media event coinciding with the opening of <span style="color: black;"><a href="http://thecontemporary.org/exhibitions/exquisite-exhibit-parlour-games-from-the-studio-artist-program/" target="_blank"><i>Exquisite Exhibit: Parlour Games from the Studio Artist Program</i></a></span>. The night included great entertainment, unique food and drink experiences, and a chance to enjoy open studios with 14 current Studio Artists.</span></span><br />
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</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Curator Joey Orr presented <i>Exquisite Exhibit: Parlour Games from the Studio Artist Program</i> opening in conjunction with <b><span class="caps">ART</span> <span class="caps">PARTY</span></b>, and on view through October 11. Orr invited 21 artists from the last decade of The Contemporary’s Studio Artist Program—some of whom had studios years ago and some of whom have just recently moved in—to collaborate on seven unique “exquisite corpse” collaborative artworks. The “exquisite corpse” was a parlour game taken up by the Surrealists in which three artists collaborated on a portrait or drawing without being aware of what came before or after their respective contributions.</span></span><br />
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</span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">In addition to the gallery exhibition, guests enjoyed <b><span class="caps">ART</span> <span class="caps">PARTY</span></b> fare from Article 14, Bad Dog Taqueria, Campagnolo Restaurant + Bar, Dennis Dean Catering, Eclipse di Luna, HENRY’S Midtown Tavern and Sun in My Belly. Mixologists from The Lawrence and Top Flr stirred things up in the <span class="caps">VIP</span> Pavilion along with Chef Tyler Williams who presented two culinary performances. Sounds provided by El Prez, Trey West, and Santiago Paramo.</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><br />Patrons</b></span><span style="font-family: Arial,Helvetica,sans-serif;"><br />
Aaron & Angel Goldman | Lucinda Bunnen | Nancy & Gene Hooff | Bill Lowe Gallery | Lauren & Tim Schrager | Maria & Mickey Mixson | Elizabeth & Chris Willett</span><span style="font-family: Arial,Helvetica,sans-serif;"><br />
<b><br />Host Committee</b></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
</span></span><span style="font-family: Arial,Helvetica,sans-serif;">Alan Avery & Michael Newton | Julie Jones Boulée & Jean-Paul Boulée | Robert Brawner | Susan Bridges | Jane Romberg Chance & Benjamin Chance | Annette Cone-Skelton & Robert Hipps | Jennifer Cooper | Louis Corrigan | John Eckel | Hagedorn Foundation Gallery | Baxter & Jiong Jones | Carter & Forde Kay | Ronnie & Peter Kessenich | Veronica Kessenich | Jenny King | Mitchell Klink | Emily Kolbinsky | Abe Kruger | Marianne Lambert | David Marvin | Missi McMorries | Hormuz Minina | Karen & Andy Much | Amy Nelson | Amy Parry | Andrea Piana | Sangeetha Ramkumar | Michael Rooks | Suzanne Shaw & Daniel Biddy | Amna Shirazi | Spencer Sloan | Greg Smith | Cindi Fetch & Preston Snyder | Debra & Robert Stone | Anne Lambert Tracht | Lee Walker | Jennifer Waters & Jesse Dunn | Jessica & Matthew White</span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span class="caps"><i>ART</i></span><i> <span class="caps">PARTY</span></i></b><i> is made possible by the following</i><br /><b><br />Sponsors</b><br /><br />
</span></span><span style="font-family: Arial,Helvetica,sans-serif;">MailChimp // Perennial Properties // The Atlantan // Jezebel Magazine // The Willett <br />
Group of Janney Montgomery Scott // Panton Capital Holdings // PennHouse<br />
Productions // <span class="caps">AAA</span> Parking // <span class="caps">BINDERS</span> // Carriage Works // CFLane // Peachtree Tents & Events // Pagan & Sharp // Rareform Creatives // The Collections // Cupcake Wine</span>Atlanta Contemporary Art Centerhttp://www.blogger.com/profile/14898958872953441358noreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-84863471006859852122014-09-11T23:46:00.002-04:002014-09-11T23:46:46.897-04:00NEWS FROM THE STUDIOS: FALL 2014<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvomXkcvTHFq0MsLnjxn8a2tLISwFS57PJ44EseC9557Cm4ob71gYI4k4hBJf70KdnDBZe2UgOR-IVVGIbpB_tl584RGfYoFY7SVvpiXUGz4zfDFp4WQUz7Lh1owE1bHLMrWvv12yHyCE/s1600/Rattia_Tomate_10x10_WEB@72.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvomXkcvTHFq0MsLnjxn8a2tLISwFS57PJ44EseC9557Cm4ob71gYI4k4hBJf70KdnDBZe2UgOR-IVVGIbpB_tl584RGfYoFY7SVvpiXUGz4zfDFp4WQUz7Lh1owE1bHLMrWvv12yHyCE/s1600/Rattia_Tomate_10x10_WEB@72.jpg" height="640" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Jan Rattia's photograph, <i>Tomate</i>, 2014, courtesy the artist.</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>OPEN STUDIOS<br />SAT, SEPT 13, 7-10PM</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><i>with</i> <b><a href="http://thecontemporary.org/artparty/" target="_blank">ART PARTY</a></b><br /><br />Fourteen artists in our Studio Artist Program are excited to open their studios to the public this Saturday night from 7-10pm in conjunction with ART PARTY. Enjoy touring the studios and meeting these artists during our campus-wide signature fundraising event! The 14 artists in our <a href="http://thecontemporary.org/studio-artists/" target="_blank">Studio Artist Program</a> are:</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Steven L. Anderson<br />Stephanie Dowda</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Sarah Emerson<br />Jane Garver</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Bojana Ginn</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Jill Frank</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Beth Lilly</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Faith McClure<br />Michi Meko<br />Jiha Moon<br />Jan Rattia<br />Nathan Sharratt<br />Christina West<br />Stewart Ziff<br /><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Fall 2014 Studio Artist Program News:</b><br /></span></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><b>Steven L. Anderson's </b>work is on view at The Contemporary as part of <i><a href="http://thecontemporary.org/exhibitions/exquisite-exhibit-parlour-games-from-the-studio-artist-program/" target="_blank">Exquisite Exhibit: Parlour Games from the Studio Artist Program</a></i> (Sept. 13—Oct. 11), curated by Joey Orr and opening with ART PARTY, Saturday, Sept. 13. Anderson and artist Susan Hable Smith (Athens, GA) will exhibit <i><a href="http://www.poem88.net/" target="_blank">Leaves of Grass</a> </i>(Sept. 20–Nov.8) at {Poem88} in Atlanta. Opening reception: Saturday, Sept. 20, 7–10pm.<br /><b><br />Stephanie Dowda's</b> solo exhibition <i><a href="http://festivalguide.acpinfo.org/listings/view/1756" target="_blank">Genius Loci</a></i> is on view at Arnall Golden Gregory from Aug 15-Nov 14 for Atlanta Celebrates Photography and through 4th Projects. Opening reception: Thursday, October 2nd from 6-8 PM. <br /><br /><b>Sarah Emerson's</b> </span><span style="font-family: Arial, Helvetica, sans-serif;">work is on view at The Contemporary as part of </span><i style="font-family: Arial, Helvetica, sans-serif;"><a href="http://thecontemporary.org/exhibitions/exquisite-exhibit-parlour-games-from-the-studio-artist-program/" target="_blank">Exquisite Exhibit: Parlour Games from the Studio Artist Program</a></i><span style="font-family: Arial, Helvetica, sans-serif;"> (Sept. 13—Oct. 11), curated by Joey Orr and opening with ART PARTY, Saturday, Sept. 13. Emerson r</span><span style="font-family: Arial, Helvetica, sans-serif;">eceived the <a href="http://www.mocaga.org/" target="_blank">MOCA GA</a> Working Artist Project Award, selected by Siri Engberg, Senior Curator of Visual Arts at the Walker Art Center in Minneapolis. Emerson will have a solo exhibition at the MOCA GA in 2015.<br /><br /><b>Jill Frank's</b> work is included in <i>Movable Types</i>, a group exhibition curated by <a href="http://www.artpapers.org/special_events/anexhibition.html" target="_blank">ART PAPERS</a> featuring: Rosa Aiello, Jennifer Bonner, Budd Dees & Galen Olmsted, Cécile B. Evans, Jill Frank, and Fernando Pessoa. The exhibition is on view through September 28 at Ponce Gallery at Ponce City Market in Atlanta. </span><div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Jane Garver</b> is currently in Iceland for </span><span style="background-color: white; color: #37404e; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 20px;">the </span><span style="background-position: 0px 0px; border: 0px; font-family: play, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;"><a href="http://www.fljotstunga.is/#!artistic-residency/c1ktd" target="_blank">Fljótstunga Artistic Residency</a>, a </span><span style="background-position: 0px 0px; border: 0px; font-family: play, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;">young project interested in the relationship </span><span style="background-position: 0px 0px; border: 0px; font-family: play, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;">between nature and travel as a way to </span><span style="background-position: 0px 0px; border: 0px; font-family: play, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;">reflect upon our own social/artistic role </span><span style="background-position: 0px 0px; border: 0px; font-family: play, sans-serif; margin: 0px; outline: 0px; padding: 0px; text-align: justify; vertical-align: baseline;">and practice.</span><span style="font-family: Arial, Helvetica, sans-serif;"><br /><br /><b>Bojana Ginn's</b> solo exhibition <i>Recode. Play. Loop.</i> opens at the <a href="http://www.swancoachhouse.com/gallery" target="_blank">Swan Coach House Gallery</a> on Thursday September 25, from 6 to 9 PM and on view through October 31st. Reflecting on the concept of DNA as a code of life, Ginn explores the idea of drawing as code. Her installations reveal the process of repetition and mutation, by which drawing is recoded into sculpture, sculpture into drawing, drawing into video, and installation into photography. Throughout September and October, Bojana's work will be shown on the Studio Artist Wall at Atlanta Contemporary Art Center. Bojana's interviews with two internationally acclaimed bio-artists, Suzanne Anker and Brandon Ballengee, will be published in <i><a href="http://artandscienceatl.org/" target="_blank">Art and Science ATL</a></i> during the month of September.<br /><br /><b>Beth Lilly</b> is one of the featured artists presenting interactive art for <a href="http://mintatl.org/engagemint/" target="_blank">engageMINT</a>, MINT Gallery's 2014 fundraiser, on Saturday September 27 from 7-11pm. Find out more and purchase tickets <a href="https://www.facebook.com/events/362959147186614/?ref=22">here.</a> Lilly also has work throughout the current exhibit featured in the Hartsfield Jackson Airport concourses, <i>Sense Of Place</i>. The High Museum of Art has added </span><span style="font-family: Arial, Helvetica, sans-serif;">nine prints from Beth Lilly's series, <i><a href="http://www.bethlilly.com/port/esootsit/" target="_blank">every single one of these stories is true</a></i>, </span><span style="font-family: Arial, Helvetica, sans-serif;">to their permanent collection.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Faith McClure's</b> work </span><span style="font-family: Arial, Helvetica, sans-serif;">is on view at The Contemporary as part of </span><i style="font-family: Arial, Helvetica, sans-serif;"><a href="http://thecontemporary.org/exhibitions/exquisite-exhibit-parlour-games-from-the-studio-artist-program/" target="_blank">Exquisite Exhibit: Parlour Games from the Studio Artist Program</a></i><span style="font-family: Arial, Helvetica, sans-serif;"> (Sept. 13—Oct. 11), curated by Joey Orr and opening with ART PARTY, Saturday, Sept. 13. </span><span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Michi Meko's</b> work </span><span style="font-family: Arial, Helvetica, sans-serif;">is on view at The Contemporary as part of </span><i style="font-family: Arial, Helvetica, sans-serif;"><a href="http://thecontemporary.org/exhibitions/exquisite-exhibit-parlour-games-from-the-studio-artist-program/" target="_blank">Exquisite Exhibit: Parlour Games from the Studio Artist Program</a></i><span style="font-family: Arial, Helvetica, sans-serif;"> (Sept. 13—Oct. 11), curated by Joey Orr and opening with ART PARTY, Saturday, Sept. 13. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Jiha Moon's</b> work is on view</span><span style="font-family: Arial, Helvetica, sans-serif;"> at The Contemporary as part of </span><i style="font-family: Arial, Helvetica, sans-serif;"><a href="http://thecontemporary.org/exhibitions/exquisite-exhibit-parlour-games-from-the-studio-artist-program/" target="_blank">Exquisite Exhibit: Parlour Games from the Studio Artist Program</a></i><span style="font-family: Arial, Helvetica, sans-serif;"> (Sept. 13—Oct. 11), curated by Joey Orr and opening with ART PARTY, Saturday, Sept. 13.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Jan Rattia</b> currently has work in a group exhibition at Bridgette Mayer Gallery in Philadelphia, through October 3rd.<br /> <br /><b>Nathan Sharratt </b>will be exhibiting new work for the 2013/2014 Walthall Fellowship exhibition at <a href="http://www.ocaatlanta.com/?post_type=programs&p=6158" target="_blank">Gallery 72</a>, presented by the <a href="http://zuckerman.kennesaw.edu/exhibitions/upcoming_satellite.php" target="_blank">Zuckerman Museum of Art</a>, in partnership with WonderRoot and the City of Atlanta's Office of Cultural Affairs. The exhibition runs from Sept 19-Oct 4, 2014, with an artist talk on October 2nd.<br /><br /><b>Christina West</b> currently has three sculptures included in a group exhibition titled <i>Figurative Association: The Human Form at the Arrowmont School of Arts and Crafts</i> (Gatlinburg, TN). The exhibition is one component of Arrowmont’s upcoming <i>Human Form Symposium</i> and features the work of ten sculptors who address the human figure through works in all media. Read more about the symposium here: <a href="http://arrowmontfigure.org/">http://arrowmontfigure.org</a>.<br /></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start;">Christina West, </span><i style="font-family: Arial, Helvetica, sans-serif; font-size: medium; text-align: start;">Misfits</i><span style="font-family: Arial, Helvetica, sans-serif; font-size: small; text-align: start;">, 2014, painted Aqua Resin, 28" tall, courtesy the artist. Photo: Eddie Ing</span></td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-34737753778523606382014-06-18T01:06:00.001-04:002014-06-18T01:06:37.592-04:00Studio Artist Focus: In Conversation with Nikita Gale<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUz4aTmsWJAwD9ihmiUFgTckdqAgv81sIt2dVtS1v4SloZ41VY_nlFsgU_KBqHnMeeKTDFgE_36-b_xJ5wWOLrp5JsjDYIupbZYwkU85kHqEQ4cg03Axnh2pYydw69UImxQE0Pki2zz4o/s1600/photo+(39).JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUz4aTmsWJAwD9ihmiUFgTckdqAgv81sIt2dVtS1v4SloZ41VY_nlFsgU_KBqHnMeeKTDFgE_36-b_xJ5wWOLrp5JsjDYIupbZYwkU85kHqEQ4cg03Axnh2pYydw69UImxQE0Pki2zz4o/s1600/photo+(39).JPG" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><i>Nikita Gale in her ACAC Studio, June 2014. All Photos: Rachel Reese.</i></span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Rachel Reese</b>: I feel like this is your exit interview
leaving Atlanta…</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Nikita Gale</b>: I kind of feel that way too, especially since
this is the “Contemporary interview” and this was my first real studio space.<br />
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RR</b>: It was?</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: Yeah. Before, I was working in my mom’s basement. I’ve
been here two and a half years. I’m leaving in August [for UCLA].</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: I was looking up your first solo show recently, <i><a href="https://www.facebook.com/events/135193093195339/?source=3&source_newsfeed_story_type=regular&fref=nf" target="_blank">BOOLESH1T</a></i> at MINT Gallery, in 2010. Tell me about that show.<br />
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NG</b>: When I think about that show, I just see everything that I did wrong. First
of all, there was entirely too much work in that show. I crammed seven solo
shows into that one show; there were probably seventy works included.<br />
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RR</b>: And MINT was located where at that time?</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: This was when <a href="http://mintatl.org/" target="_blank">MINT</a> was still in the first floor of Erica
Jamison’s apartment, in Old Fourth Ward, in those lofts off of Sampson Street.</span></div>
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<tr><td class="tr-caption" style="font-size: 13px;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><i>Nikita Gale in her ACAC Studio, June 2014. </i></span></td></tr>
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RR</b>: So how do you feel you’ve changed since that show? I couldn’t find images
online for reference…</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: There is a hidden link that lives on my website. (<i>laughs</i>) I think I’ve grown a lot since in terms of
foundational knowledge—learning about art history, art and artists that I was
unaware of at the time that I made that work. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I remember [blindly] emailing Cinque Hicks, who was still
writing for <i>Creative Loafing</i>, to see if he’d come by and check out the show.
When he came by to see it, it was the first time I’d heard of <a href="http://www.hankwillisthomas.com/" target="_blank">Hank WillisThomas</a>. I made this series of
photographs that were referencing a lot of his work; I was using these images
from 1970s <i>Ebony</i> magazine ads. </span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;">That show was definitely a learning experience. I keep
thinking now of adjectives to describe that <i>BOOLESH1T</i> work: super didactic, heavy-handed, snarky, funny.
It was very clear I was so excited about having a solo show. (<i>laughs</i>) I had no filter, no studio visits, so it all got
put in there. I painted the floor like a microchip, there were QR codes all
over the place that linked to random youtube videos—weird distractions.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: Has this affected your editing process in the studio?</span></div>
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<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: This is going to sound trite but I’ve learned that less
is more. The process of creating the work is the laboratory; you can figure out
what works and what doesn’t [work], and make those decisions on a case-by-case
basis. That is the really useful part of having a studio: developing a practice
where people can come in and have a conversation about your work. A [more
formalized] studio practice has changed and grown my work over the last several
years.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: Do you feel you’ve done a lot of self- or
experiential-learning because your undergraduate degree was not in studio or
fine arts?</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: Yes, definitely. My undergraduate degree is in
archeology, so the idea of a “studio practice” was completely foreign to me.
There is absolutely a lot of self-directed learning and research that happens.
Being online is really useful. Also having conversations with people was really
useful in terms of learning about things that might have been really difficult
to look up without a starting point. It feels like creating a syllabus through
people—for example, by having painters come into the studio, they’re thinking
about my work in the context of painting, and so on.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: You’re creating your own studio curriculum.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: Right! (<i>laughs</i>) <br />
<br /><b>
RR</b>: It will be interesting to see how grad school affects this. And how
relevant you will find grad school to be, considering how you’ve achieved a
good deal of success through this self-sufficiency. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: I think it will be interesting too. I feel I hit a point
where studio visits were useful, having conversations about my work were still
useful, but I feel there are a lot of conceptual and technical leaps that I
want to make with my work that I need to do in an academic setting with a
concentrated group of faculty and students, doing more or less the same thing.
I’m interested in new references, and in an official curriculum, too!</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: Is there someone you’ll be working under that you are
excited about? </span></div>
<div class="MsoNormal">
<br /></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: I’m super excited about almost the entire faculty at
UCLA. The two professors I’ll be working with directly in my [New Genres]
department are Andrea Fraser and Jennifer Bolande. Bolande’s <a href="http://jbolande.com/images/marquee.html" target="_blank">more recent work</a> takes these unused, old-school movie marquees, and stacks them on top of each
other; the lights still work but the text has been removed. They’re beautiful
structures and that work is exciting to me.<br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNGeSsenbnOyHiVwvcr_RRdlsfarN_08jP7L0q0dutpS3boepCuxqmFvBDdHK3qVy9CFEBkojRb17o8F4Fim9EdgY6wTkmroQKZB1C48Xriz3rD-2uZRiDGKIzM_3wrE1w6J70mnSaY6o/s1600/photo+%252838%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNGeSsenbnOyHiVwvcr_RRdlsfarN_08jP7L0q0dutpS3boepCuxqmFvBDdHK3qVy9CFEBkojRb17o8F4Fim9EdgY6wTkmroQKZB1C48Xriz3rD-2uZRiDGKIzM_3wrE1w6J70mnSaY6o/s1600/photo+%252838%2529.JPG" height="640" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><i>Nikita Gale in her ACAC Studio, June 2014.</i></span></td></tr>
</tbody></table>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: How important do you think it is to make objects today?</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: That’s a great question. I’ve been thinking a lot about
that, actually. Recently I’ve started thinking about my work and how I want it
to function. I’m really interested in making work that is in conversation with
reality—the real world—and how it can function outside of an art context so it
feels relatable to someone not necessary well-versed in contemporary art, but
who understands politics, or culture, for example. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;">Anytime you make an “art object” you’re contributing to this
market, with something that is then definable. And once you define something,
it can be categorized and a value can be assigned to it, placed in the system.
So in terms of making things, the anti-consumerist in me has a lot of conflict
with it. Sometimes I think, “I’m going to make sound pieces!” </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;">But I’m definitely interested in working with materials; I
can’t escape that. Though I didn't see it, a lot of work in the [Whitney] <a href="http://whitney.org/Exhibitions/2014Biennial" target="_blank">Biennial</a> this year
was archive- and performance-based. <br />
<br /><b>
RR</b>: How do you feel about the arrogance of the artist? I’ve been thinking about
this a lot lately in terms of content creation coming <i>from</i> an institution, while negotiating a really strong
thought put forward by an artist. Artists might not think about that as much,
as the critical distance is smaller. Sometimes an artist just needs a platform
to put something out there in the world, and they might fail…</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: I hate to
use the word <i>branding</i>—as I work in
advertising during the day—but if you think of the Brand as the institution,
and that the Brand produces things. You start to trust the Brand, and enough
faith grows in the Brand, so the Brand can start branching out and taking
risks. Lexus has recently been throwing money at creative think tanks and
letting them do [campaigns] that have nothing to do with Lexus, but at the end
of the commercial you see the Lexus logo. Same thing with Red Bull—the space
jump has nothing to do with Red Bull. (<i>laughs</i>) <br />
<br /><b>
RR</b>: Are you on a journey towards your brand as Nikita Gale?</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: That’s very weird; I don’t know. I don’t think I have a
specific style of work that has developed this “trustworthiness.”</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: I don’t think so either, but I’d say it’s very
conceptually project-based and your medium fits and serves the concept. They
are one in the same.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: That’s an interesting observation. When I have conversations
with people about style, the response is always along the lines of “it’s very
conceptual and the concept dictates the medium.”</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: Well, do you agree?</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: I do. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: It’s also minimal, and very flashy. I feel there is a
lifestyle statement attached to it.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: I like that! I want to hear more! (<i>laughs</i>)</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: You’re selling something, or yourself. (<i>laughs</i>)<br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3Tqp4phttkpjMxR9tCwUyPEc41uKVTjvQrLsHu5zpc4MZEbGcu8fdKCbtNSs-NydD4XCJ2kEoglfGkbLvWQs6SIiKDkXrMy7nckafImCZUqEKy-XyNfoPOiGKszuzuZ1KSlqv6fTUbcc/s1600/photo+%252836%2529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3Tqp4phttkpjMxR9tCwUyPEc41uKVTjvQrLsHu5zpc4MZEbGcu8fdKCbtNSs-NydD4XCJ2kEoglfGkbLvWQs6SIiKDkXrMy7nckafImCZUqEKy-XyNfoPOiGKszuzuZ1KSlqv6fTUbcc/s1600/photo+%252836%2529.JPG" height="640" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><i>A photograph from </i><a href="http://nikitagale.com/index.php?/projects/white-player-niki/" target="_blank">WHITE PLAYER: NIKI </a> <i>pinned on Gale's studio wall.</i></span></td></tr>
</tbody></table>
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<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: That’s why I need to get to grad school, and put through
the ringer for a few years! (<i>laughs</i>)</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: What are you most excited about right now?</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><b>NG</b>: I am very excited about my best friend from college
getting married in a few weeks. In terms of art, two upcoming shows. I’m
excited about the rest of summer and beginning this fall. I’m about to be a
student again; I haven’t been a student in eight years. It feels new but
familiar. I have friends from college in LA so I’m excited to reconnect with
them. </span></div>
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<br /></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><i><b>Save the Date</b>: Nikita Gale speaks at ACAC on Thursday, July 17th at 6:30pm for our next Studio Artist Talk. Location: ACAC Lecture Hall.</i></span>
<!--EndFragment-->Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-61221626216392837062014-06-05T13:21:00.001-04:002014-06-05T15:02:45.459-04:0082 Questions for Stuart Horodner<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5-8klZuIkTnwU2ktJAT8lZ_pOt7n5e0dsoFUnWmr5nIuSuKiFIFVWoKR6cX8MQNs3jOV-pWWwmfKq_iQFxAVCetr_qy8o6J6Cu7hJzM9iFxrb8-ouxLnaocfMh9NBKD6kX7jm1wZzoLc/s1600/IMG_6860%5B1%5D.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5-8klZuIkTnwU2ktJAT8lZ_pOt7n5e0dsoFUnWmr5nIuSuKiFIFVWoKR6cX8MQNs3jOV-pWWwmfKq_iQFxAVCetr_qy8o6J6Cu7hJzM9iFxrb8-ouxLnaocfMh9NBKD6kX7jm1wZzoLc/s1600/IMG_6860%5B1%5D.jpg" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Stuart's last photo as an Atlantan. Photo: Rachel Reese.</span></span></td></tr>
</tbody></table>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">As we say goodbye to </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">outgoing Artistic Director </span></span>Stuart Horodner this week, I took an afternoon to shoot as many questions as possible at him over an Octane iced coffee. The questions were crowd sourced, provided by friends, peers, colleagues, former interns, exhibiting artists, Studio Program artists and fellow curators Stuart has worked with over the past seven years in Atlanta: </span></span><br />
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">82 QUESTIONS FOR
STUART HORODNER</span></b><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoGJFks6VB9RW3kgm8tl0DpS2aLlGeRtCtNy2ekcZymY892HmvQFi4xUEReoSZ7D2qmMxCbxfgAQwVMjqkzEuzFLVCFE7CTS_b7V6sdi6th0gNi00el9W0xBfoDBCcF4HfbF7vGc8ZWNw/s1600/IMG_6859%255B1%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoGJFks6VB9RW3kgm8tl0DpS2aLlGeRtCtNy2ekcZymY892HmvQFi4xUEReoSZ7D2qmMxCbxfgAQwVMjqkzEuzFLVCFE7CTS_b7V6sdi6th0gNi00el9W0xBfoDBCcF4HfbF7vGc8ZWNw/s1600/IMG_6859%255B1%255D.jpg" height="480" width="640" /></a></div>
</div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What is your favorite board game? </b><br />Scrabble.<br /></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What's
your most memorable dream?</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">The one I had soon after my grandfather died, where I was laying on my couch at my parent's house and my grandfather came through the door and his body literally merged with mine.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What
kind of fruit would you be?</b><br />Umm...cherry.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What
is your earliest childhood memory of fruit?</b><br />My grandmother's apple struddle.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span style="color: #0f243e; font-family: "Arial","sans-serif"; font-size: 11.0pt;">How ‘bout it?</span></b></div>
<div class="MsoNormal">
<span style="color: #0f243e; font-family: "Arial","sans-serif"; font-size: 11.0pt;"><span style="color: #0f243e; font-family: "Arial","sans-serif"; font-size: 11.0pt;">How ‘<i>bout </i>it? </span></span><span style="color: #0f243e; font-family: "Arial","sans-serif"; font-size: 11.0pt;">How ‘bout <i>it</i>? The <i>struddle</i>? It was unbelievable!</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span style="color: #0f243e; font-family: "Arial","sans-serif"; font-size: 11.0pt;">Red or purple?</span></b></div>
<div class="MsoNormal">
<span style="color: #0f243e; font-family: "Arial","sans-serif"; font-size: 11.0pt;">Purple.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<span style="color: #0f243e; font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Why did the elephant paint its toenails red?</b><br />Surrealist dictates.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: #0f243e; font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Fame or fortune?</b><br />Fame</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b><span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">What’s
your favorite movie?</span></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">The Godfather.<br />
<br />
<b>Favorite movie in past five years?</b><br />The Lives of Others.<br />
<br /><b>Favorite TV show that’s currently on? </b><br />Bill Maher.<br />
<br />
<b>What’s a book you plan on reading?</b><br />Umm...wow...I should reread Lewis Hyde's <i>The Gift.</i><br />
<b><br />A book you read in school that positively shaped you?</b><br />Lucy Lippard's <i>The Dematerialization of the Art Object.</i><br />
<b><br />
On a scale of one to ten how excited are you about life right now?</b><br />Ten!<br />
<br />
<b>What’s your favorite food?</b><br />Bread.<br />
<b><br />
Least favorite food?</b><br />Liver.<br />
<b><br />
What do you love on your pizza?</b><br />Pepperoni.<br />
<br />
<b>Favorite drink?</b><br />Coffee.<br />
<br />
<b>Favorite dessert?</b><br />Cherry pie.<br />
<br />
<b>Dark chocolate or milk chocolate?</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Dark.<br />
<br /><b>Weirdest thing you’ve ever eaten?</b><br />Head cheese.</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><br /><i>(RR: Head cheese?! SH: Head cheese is little bits of meat in gelatin, and I hate it. But it was given to me to eat in a performance so I ate it.)</i><br />
<b><br />
What’s the hardest part about being a man?</b><br />Expectations. (<i>laughs</i>)</span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b><br />What's a song you can't <i>BELIEVE </i>you love so much?</b><br />Bohemian Rhapsody.<br />
<br /><b>Favorite lyrics?</b><br />Anything by Dylan.<br />
<b><br />If your life were a song, what would the title be?</b><br />Bohemian Rhapsody! (<i>laughs</i>)<br />
<b><br />If you could sing a duet with anyone, who would it be?</b><br />Tom Waits.<br />
<b><br />
Do you have a tattoo?</b><br />No.<br />
<br />
<b>What’s your spirit animal?</b><br />Turtle.<br />
<br />
<b>Best gift you’ve ever received?</b><br />My brother.</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Last
gift you gave a friend?</b><br />A found photograph.<br />
<br />
<b>A person you want to have coffee with?</b><br />Adam Weinberg.<br />
<br />
<b>A historical figure you’d love to have coffee with?</b><br />Alan Ginsberg.<br />
<br />
<b>What’s the last country you visited?</b><br />Canada.<br />
<br />
<b>What country do you wish to visit?</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Spain.<br />
<br />
<b>Diamonds or pearls?</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Diamonds.<br />
<br />
<b>Can you give an impersonation of someone?</b><br />Yes. <br /><br /><i>(RR: Do it! SH: Oh...who should I do an impersonation of? OK..."It would probably be something like Brando in Godfahtha...")</i><br />
<br />
<b>Can you do the same impersonation with a British accent?</b><br /><br />SH: (<i>laughs</i>) OK, "Listen, mate, there's something about meeting up at Picadilly..."<br />
<br />
<b>Best way to decompress?</b><br />Reading.<br />
<br />
<b>If you had one superpower, what would it be?</b><br />Total recall.<br />
<br />
<b>Can you describe an experience you felt most nervous?</b><br />Telling people I was leaving Atlanta! (<i>laughs</i>) No, telling Stacie Lindner and Tim Schrager I was leaving Atlanta! <br />
<br />
<b>What’s the weirdest word in the English language?</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Antidisestablishmentarianism. </span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><br /><b>What
is the grossest thing you can imagine eating?</b><br />Shit.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<b><span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Do
you believe in God?</span></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">No.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Who would you never want to have to sit across from at a dinner party?</b><br />Living or dead? George W. Bush.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What
is your greatest joy?</b><br />What I get to do for a living.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What
do you believe in?</b><br />Most things! (<i>laughs</i>) That's a fast answer, but, art. Art's power.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>If
R.B. Kitaj and Charles Bukowski meet on a beach in LA, how would the
conversation go?</b><br />Oh, that would go swimmingly! I'd like to be there...I'll tell you that! That's someone that knows me well.</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><br />
<b>What is the project that you are most passionate about that you have not done
...yet?</b><br />Shaping the University of Kentucky's Art Museum collection.<br style="mso-special-character: line-break;" />
<b><br style="mso-special-character: line-break;" />
</b></span></div>
<div class="MsoNormal">
<b><span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Name
your three biggest pet peeves?</span></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">People who are not empathetic, those who do not listen closely enough, and abuse of power.<br style="mso-special-character: line-break;" />
<b><br style="mso-special-character: line-break;" />
</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>You
have a week to do or go anyplace with anyone. With who, where, and what would
you do?</b><br />A passionate, sexy woman at an undisclosed location.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Your
all time single favorite painting?</b><br />Very high on the list is <i>Aristotle Contemplating the Bust of Homer</i> by Rembrandt.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Your
all time single favorite artwork?</b><br />That's very complicated. The first thing that comes to mind is a little painting of a tree by Wayne Koestenbaum that I bought from White Columns.<br style="mso-special-character: line-break;" />
</span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">
<br style="mso-special-character: line-break;" />
</span></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What’s
your favorite ATL restaurant?</b><br />Bocado.<br style="mso-special-character: line-break;" />
<b><br style="mso-special-character: line-break;" />
</b></span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What stereotype of Atlanta/Atlantans did you
discover to be oh so wrong?</b><br />That people are still stuck in the Civil War.</span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What stereotype about Atlanta/Atlantans did
you find to be spot on?</b><br />Very classic secondary city mentality.</span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Which ACAC exhibition went way beyond your expectations?</b><br />Fallen Fruit! [<i>Fallen Fruit of Atlanta</i>]</span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What Atlanta institution are you going to
miss the most? (Richard's Five & Dime? Ghetto Burger?)</b><br />I guess I don't go to that many Atlanta institutions...but I would have to say, Fat Matt's Rib Shack. And Chastain Park for sure.</span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Any secret crushes you'll leave behind?</b><br />Yes, but I can't tell you!</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Tell
me your wackiest memory at ACAC?</b><br />Probably getting undressed at the Clifford Owens performance!<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>How
many photos of Scott Ingram passed out in random hotel rooms go you currently
have on your phone?</b><br />Passed out...none. Waking up in a hotel room...three, I think!</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>How much patience did it take to run the 15
min program? </b><br />A decent amount, but patience isn't the most needed thing. Generosity is.</span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;">Weirdest 15 Minutes?</span></b><span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><br />A very elaborate conversation with a fellow named Maurice. </span></div>
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<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>When
you came to Atlanta it was initially not for the position at the Contemporary,
but you ended up at the Contemporary very quickly in what seemed like an
optimistic leap of faith on your part. Was it?</b><br />It was the only place I could have thought to work after the dissolving of the ACA gallery.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Three
words to describe living in Atlanta?</b><br />Don't like cars.<br style="mso-special-character: line-break;" />
<b><br style="mso-special-character: line-break;" />
</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Will
you miss us?</b><br />Of course! Some of you. Many of you. You know who you are!</span></div>
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<b><br /></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>When
does a significant other become more important than an art career? </b><br />When they do! </span></div>
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<b><br /></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Will
you let me shave you?</b><br />Been there, done that! (<i>laughs</i>)</span></div>
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<br /></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What artists’ work do you think is the
cheesiest? </b><br />Peter Max.</span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What artists’ work is the most overrated?</b><br />Dot paintings by Damien Hirst!</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>How
many glasses of wine are appropriate at an opening?</b><br />Two and a half.<br style="mso-special-character: line-break;" />
<b><br style="mso-special-character: line-break;" />
</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What songs are on his mix-cd for the road
trip away from Atlanta?</b><br />You know me, I'm technologically challenged, so no mix tape. NPR.</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b><br />What
are dream exhibitions, budget not an issue, space/spaces of your
choice? </b><br />I'd to see mid-transitional period Philip Guston with Franz West in a Louis Kahn building. The Contemporary was one fun space to play with! One show I'd like to realize is <i>The Survivors</i>--people overcoming struggles, violences, obstacles, abuses, and persevering. That could be realized at many spaces.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>You
can curate a Venice Biennale Aperto exhibition, discuss….</b><br />I'd want to commission something for that space. It might be collaborative. Hmm...it would be interesting to think about who to work with. Actually, Alix Pearlstein at the Aperto would be really fun.</span></div>
<b><br /></b>
<br />
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>When
did Kentucky become a state? </b><br />I have no idea.</span></div>
<div class="MsoNormal">
<b><br /></b></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What
is the capital of Kentucky?</b><br />I think Frankfurt!</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>How
does one "Get Lucky in Kentucky"?</b><br />Give them my number.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Wildcats or Bourbon?</b><br />Wildcats? As in the wild?<br /><br /><i>(RR: Isn't that your new mascot? SH: Oh, wildcats! I say wildcats. I mistakenly called a public sculpture of [a wildcat] a wolf from afar, and people almost fell over. I won't make that mistake again.)</i></span></div>
<div class="MsoNormal" style="margin-bottom: 12.0pt;">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>You're moving to Kentucky, do you even like
horses? Are you going to ride horses in Kentucky?</b><br />I have to try. I've only ridden a horse once in my life.</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Three
words to describe Lexington?</b><br />My new home.<br style="mso-special-character: line-break;" />
<b><br style="mso-special-character: line-break;" />
</b></span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>Will
you be getting naked in Lexington?</b><br />At home. (<i>laughs</i>)</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 11.0pt;"><b>What
can't you wait to do?</b><br />Be finished packing.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjarV82xM__YWdIGokj0SQvxGX1P8yi0mN0obCZZz1gOS-PK9vbJk-LLszAs40Pl8ABYi5kUsTbTvIuu7lt__a7IHbNd-Sfs4O-doR3g01t1H4q7t-iJ4M1T3jlH3G0UA9UiIVVgkZqksI/s1600/IMG_4146%255B1%255D.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjarV82xM__YWdIGokj0SQvxGX1P8yi0mN0obCZZz1gOS-PK9vbJk-LLszAs40Pl8ABYi5kUsTbTvIuu7lt__a7IHbNd-Sfs4O-doR3g01t1H4q7t-iJ4M1T3jlH3G0UA9UiIVVgkZqksI/s1600/IMG_4146%255B1%255D.jpg" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Stuart, <br />Though we say goodbye to you as an Atlantan, we have a new friend in Kentucky. <br />We all wish you the best!<br />Love, <br />ACAC staff & Board</span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrCmkD7ZZEnocahoyxrl8ZFXGzegJDUSFpoflJg0lrBD6oro4m2sMT0SnMzcW-pPG09u7AH1B4tNDsNzwPD6f9pIKPiIc_gocXafgkuR1SlrLynMEpCsb0_RIFJdbV-q1v9iRoMtFH7Gg/s1600/IMG_5120%255B1%255D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrCmkD7ZZEnocahoyxrl8ZFXGzegJDUSFpoflJg0lrBD6oro4m2sMT0SnMzcW-pPG09u7AH1B4tNDsNzwPD6f9pIKPiIc_gocXafgkuR1SlrLynMEpCsb0_RIFJdbV-q1v9iRoMtFH7Gg/s1600/IMG_5120%255B1%255D.jpg" height="462" width="640" /></a></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Thank you to everyone who contributed a question--</b><br />Saskia Benjamin, Susan Bowman, Ben Schonberger, Craig Drennen, Paul Benjamin, Courtney Hammond, Beth Lilly, Scott Ingram, Mira Schor, Veronica Kessenich, Rachel Reese, Fallen Fruit, Brian Bell, Clovice Holt, Cinque Hicks, Stephanie Dowda, and the many others of you who chose to remain anonymous. Thanks!</span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-48286584238700973122014-05-23T14:03:00.001-04:002014-05-23T14:04:19.613-04:00Simone Leigh in Dakar: May 2014<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">For the past few weeks, Simone Leigh has been in Dakar participating in <a href="http://www.biennaledakar.org/2014/" target="_blank">Dak'Art 2014</a>--</span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Dakar's 11th
African contemporary art biennial</span></span>. Here are some of her photos from her travels:</span></span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNZJeLCijE7Q843EayH1_q8nZ67ei6pozO7wW8G8vgQ0WqKWgILv7Bup1-uEvoZWevpdNO9friL51yevYOHBiNLa-I-p1oWQ9y1UmqiUlzAmeAb87g65IEIQbhx4-xVUOaQu2pFGi1yY8/s1600/IMG_0381.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNZJeLCijE7Q843EayH1_q8nZ67ei6pozO7wW8G8vgQ0WqKWgILv7Bup1-uEvoZWevpdNO9friL51yevYOHBiNLa-I-p1oWQ9y1UmqiUlzAmeAb87g65IEIQbhx4-xVUOaQu2pFGi1yY8/s1600/IMG_0381.jpg" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Simone Leigh with <span class="fbPhotoTagList" id="fbPhotoSnowliftTagList"><span class="fcg"><span class="fbPhotoTagListTag tagItem">Sidney Amaral</span>, <span class="fbPhotoTagListTag tagItem">Edmon Khalil</span>, <span class="fbPhotoTagListTag tagItem">Arlene Wandera</span>, <span class="fbPhotoTagListTag tagItem">Jeannette Ehlers</span>, <span class="fbPhotoTagListTag tagItem">Jennette Ehlers</span>, <span class="fbPhotoTagListTag tagItem">Kimberli Gant</span>, <span class="fbPhotoTagListTag tagItem">Tayo Ogunbiyi</span>, <span class="fbPhotoTagListTag tagItem">Patricia Kaersenhout</span>, <span class="fbPhotoTagListTag tagItem">Charl Landvreugd</span> and <span class="fbPhotoTagListTag tagItem">Nomaduma Masilela</span> in <span class="fbPhotoTagListTag withTagItem tagItem">Dakar, Senegal </span></span></span>during Dak'art Biennial and <a href="http://icm.arts.cornell.edu/dakar2014/index.html" target="_blank">Global Black Consciouness conference.</a></span></span><!--[if gte mso 9]><xml>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3D_ZihyzZbD4fMc18AWgQPT-_On1xFatmucMw6zUEhcw92UF87hkuTJ4UHC8RcwD7jSmV6K873gHwqtm-eUjLAAyCDrYndqheeIji9lS5-veDQBthskNDXks6tqzN-UkN3f_WNVmQeL0/s1600/IMG_0360.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3D_ZihyzZbD4fMc18AWgQPT-_On1xFatmucMw6zUEhcw92UF87hkuTJ4UHC8RcwD7jSmV6K873gHwqtm-eUjLAAyCDrYndqheeIji9lS5-veDQBthskNDXks6tqzN-UkN3f_WNVmQeL0/s1600/IMG_0360.jpg" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">From Simone: "<span class="fbPhotosPhotoCaption" id="fbPhotoSnowliftCaption" tabindex="0"><span class="hasCaption">Installation Day one. As you can see it's been really rough and we are not having a good time. [I'm] with Candice Breitz, Smooth Ugochukwu, Mehdi-Georges Lahlou and Abdelkader Damani</span></span><span class="fbPhotoTagList" id="fbPhotoSnowliftTagList"><span class="fcg">."</span></span></span></span></td></tr>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Simone Leigh with artist Ezra Wube in front of the Nick Cave
installation at the American Embassy in Dakar.</span></span></div>
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<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Simone's work is featured in the current issue of <a class="profileLink" data-hovercard="/ajax/hovercard/page.php?id=119803571388358" href="https://www.facebook.com/artpapers">ART PAPERS</a> (May/June 2014) in a feature about the history and future of
alternative arts education in Africa and Dak'Art 2014.</span></span> </span></span><br />
<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Press for <a href="http://thecontemporary.org/exhibitions/simone-leigh-gone-south/" target="_blank"><i>Gone South</i></a> in <a href="http://artforum.com/picks/section=us#picks46825" target="_blank">artforum.com</a>!<br /><br /><b><i>Gone South</i> is on view at ACAC through Saturday, May 31st.</b></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<i><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Coming Up:</span></span></i><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span class="userContent">Simone Leigh is participating in <a href="http://creativetime.org/projects/black-radical-brooklyn/" target="_blank"><i>Funk, God, Jazz, and Medicine: Black Radical Brooklyn </i></a>presented by <a data-hovercard="/ajax/hovercard/page.php?id=35516651321" href="https://www.facebook.com/creativetime">Creative Time</a> and <a data-hovercard="/ajax/hovercard/page.php?id=76994302364" href="https://www.facebook.com/weeksville">Weeksville Heritage Center</a> this Fall! </span></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-47647567115067524072014-05-16T10:50:00.002-04:002014-05-16T16:41:33.942-04:00Member Spotlight, May 2014: Meet Kimberly Binns<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS9u-LZgyIQe7ugHKEq7ucTSJ1eycgEyIQyZyd1biS2WqPjEJsnI9XhsO-iEDzL-9V5n5joievzPvxcAiWlgo_49G6ooV7Xb747OECppYblgyPs4X34XbCtj1gJt1jwyt5X9VGJcu5Iz0/s1600/KimberlyBinns.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS9u-LZgyIQe7ugHKEq7ucTSJ1eycgEyIQyZyd1biS2WqPjEJsnI9XhsO-iEDzL-9V5n5joievzPvxcAiWlgo_49G6ooV7Xb747OECppYblgyPs4X34XbCtj1gJt1jwyt5X9VGJcu5Iz0/s1600/KimberlyBinns.jpg" height="640" width="464" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Kimberly Binns, new ACAC member!</span></td></tr>
</tbody></table>
<div dir="ltr" id="docs-internal-guid-66dc8040-0573-12b1-db4b-3ba076d9fee8" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt;">
<b><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><b><br />How did you become involved with ACAC?</b></span></span></span></b></div>
<div dir="ltr" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">I first learned about the programming at ACAC while studying at Georgia State University. As a design student I knew it was important to immerse myself in the arts community so I just began going to different galleries and ACAC was one of the first. </span><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> </span></span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<br />
<div dir="ltr" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><b>What do you enjoy most about being an ACAC member?</b></span></span></span></div>
<div dir="ltr" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">Contemporary art, quite frankly, can make some people a little nervous. However, the type of community engagement programming that ACAC provides, such as excursions, artist talks and open studio visits really helps to bridge that gap between community and artist. That is what’s really attractive to me as a member. </span></span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<br />
<div dir="ltr" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">I also like that ACAC supports artists by creating opportunities for them to develop artistically and professionally through their studio program. </span></span></span></div>
<b><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span></b>
<br />
<div dir="ltr" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><b>What’s been your favorite experience at ACAC in the past year?</b></span></span></span></div>
<div dir="ltr" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">The <a href="http://thecontemporary.org/programming/2014-winter-programming/for-members-only-cultural-excursion-the-hambidge-center/" target="_blank">visit to the Hambidge Center</a> at Rabun Gap was pretty cool and it was a great way to get to know some fellow ACAC members!</span></span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"></span></span><br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://lh5.googleusercontent.com/wgnD1mcW8mXw-YSMMieBYWuNc0-gGNfYip2ah3mT9-B7m9mP4lhZFQuh_OylY7pNc2nfZ1wewZL7sRGfKy79wdTgkedkaFGTlJl7-fuM6qTWfQEQMhu9qGGhF1_8mKCjOA" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="IMG_4905.JPG" border="0" height="189px;" src="https://lh5.googleusercontent.com/wgnD1mcW8mXw-YSMMieBYWuNc0-gGNfYip2ah3mT9-B7m9mP4lhZFQuh_OylY7pNc2nfZ1wewZL7sRGfKy79wdTgkedkaFGTlJl7-fuM6qTWfQEQMhu9qGGhF1_8mKCjOA" style="border: medium none; transform: rotate(0rad);" width="282px;" /></a><a href="https://lh4.googleusercontent.com/rQZ0itdX8VlUSuMFmfNToLLicTpvzPqvxSAQX3LgI8QMYZIsF2CSFsLIU-aKk_zTxAkM29COjEuCUyk9N0qqUicrM8NGxwQi9jmwt7-XUSDJOSepap0BbLBRnFtWKwoJkg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="IMG_4914.JPG" border="0" height="212" src="https://lh4.googleusercontent.com/rQZ0itdX8VlUSuMFmfNToLLicTpvzPqvxSAQX3LgI8QMYZIsF2CSFsLIU-aKk_zTxAkM29COjEuCUyk9N0qqUicrM8NGxwQi9jmwt7-XUSDJOSepap0BbLBRnFtWKwoJkg" style="border: medium none; transform: rotate(0rad);" width="320" /></a></div>
<div dir="ltr" id="docs-internal-guid-66dc8040-0575-360b-e5aa-3a693c2c2a6d" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt; text-align: left;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><br /><b>About Kimberly Binns:</b><br />Kimberly’s background in art and design, coupled with a lifelong curiosity and appreciation of all things creative, serves as the backdrop for all of her artistic ventures. She is the Creative Partner with the creative development and production firm, <a href="http://temporaryvisionary.com/" target="_blank">Temporary Visionary, LLC</a> </span><span style="color: black;"><a href="http://www.temporaryvisionary.com/" style="text-decoration: none;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;"></span></a><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">and also works as a commercial interior designer with a local design-build firm. In addition, she does karaoke like nobody’s business and her passions include, well, everything. You can usually find her (and her hair) traversing the arts scene, making new friends and </span><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">just being awesome</span>. </span></span></span></span></div>
<div dir="ltr" style="line-height: 1.15; margin-bottom: 0pt; margin-top: 0pt;">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="background-color: white; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> </span></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-6727410886241683962014-05-09T11:51:00.001-04:002014-05-09T11:52:02.891-04:00IN | TURN: Checking in with former intern Katherine Kliewer <!--[if gte mso 9]><xml>
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<br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b><br />Why
did you want an internship at ACAC?</b></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />I remember
the first time I came to Atlanta Contemporary Art Center. It was to see the
<a href="http://thecontemporary.org/exhibitions/mia-feuer-the-bridge/" target="_blank">Mia Feuer: <i>The Bridge</i></a> exhibition in 2010 with a water base media class
from Georgia State University. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />As it turns
out, I cannot read properly and I was under the impression that the admission
fee was $15 instead of $5 for students. The wheels started turning..."I
bet this place has some really great artwork for the $15 entry fee...or they
have a packed liquor closet.<i> </i>It's definitely one or the
other."</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />I applied to
be an intern the following year with the guidance of <a href="http://jenenenagy.com/home.html" target="_blank">Jenene Nagy</a>, an artist
working out of the ACAC Studio Artist Program and a Georgia State professor at the time. I
wanted to learn how to install exhibitions, the elements
of curating a show, and how each exhibition was promoted. All of
which would be answered in due time. </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /><b>What
did you like best about interning at ACAC, or what did you learn (skills,
ideas, etc) here?</b></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">I learned
the lift! </span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />The lift is
a magic machine that brings you to the top of the walls so you can fill in holes.
You should probably also only use this machine while in heels, as it adds to
the thrill and excitement of the ordeal...<br /></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">...I also learned other valuable things, like how to skin and eat rats (<a href="http://thecontemporary.org/programming/2012-summer-programming/workshop-skinning/" target="_blank">Laura Ginn’s workshop</a>) as well as where/when it
is publicly acceptable to expose my nude body to 60 or more strangers (<a href="http://thecontemporary.org/programming/2012-summer-programming/performance-photographs-with-an-audience/" target="_blank">Clifford Owens’s performance <i>Photographs with An Audience</i></a>).</span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b><br />What
are you currently doing—your job, making art, living in NY, etc?</b></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />I am
currently living and working in New York City (Brooklyn rat by choice).<br /></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"> My first job
was with installation artist <a href="http://orlygenger.com/" target="_blank">Orly Genger</a>. I worked on the piece <i><a href="http://orlygenger.com/site-specific/" target="_blank">Red,Yellow, Blue</a>.</i> The artwork was installed in early May 2013 in Madison
Square Park and consisted of 1.4 million feet of crocheted rope. Let's be real,
the ropes were collected from old fishing boats, so they were covered in sea
slime, old leaves from being left outside, and scratchy sticks. Blood was
shed. I have also worked at <a href="http://www.petzel.com/" target="_blank">Petzel Gallery</a> as an intern and been an assistant
jewelry designer for the Brooklyn based company Holst + Lee. </span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /><br />Currently, I
am working at Gagosian Gallery on Madison Avenue. I help manage the new shop and assist clients with the purchasing of artworks. I've met
some truly wonderful people that I would otherwise not likely encounter. A few
of the fabulous include Brice Marden, Inez van
Lamsweerde Vinoodh Matadin, William Eggleston (who politely bowed
when we met), Gregory Crewdson, and my beloved Ed Ruscha. Also, John
Waters and I chatted about our fascination with the <a href="http://www.guggenheim.org/new-york/exhibitions/past/exhibit/4917" target="_blank">Christopher Wool show</a> at the Guggenheim at the time of the exhibition. Making friends!<br /></span></span><br />
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">I mainly
just try to keep the snow out of my shoes, haggle ladies in Chinatown over $5
umbrellas, and regulate my breathing once I finally reach my apartment <i>on
the 5th floor walk up. </i>I expect to have a bangin' pair of legs by the end
of this, for heaven's sake.</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-19053390462464774122014-05-06T15:38:00.002-04:002014-05-09T10:04:54.422-04:00News from the Studios: May 2014<!--[if gte mso 9]><xml>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Stephanie Dowda spoke at ACAC on Thursday, April 24th.</span></span></td></tr>
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<b>Stephanie Dowda</b>'s exhibition, <i>Topophilia</i>, is on view at <a href="http://getthisgallery.com/" target="_blank">Get This Gallery</a> until
May 10th. <i>Topophilia </i>was reviewed by <a href="http://burnaway.org/stephanie-dowda-tommy-nease-get-gallery/" target="_blank">BurnAway</a>, <a href="http://www.artsatl.com/2014/03/review-photographers-stephanie-dowdatommy-nease-explore-place-unexpected-ways/" target="_blank">ArtsATL</a> and <a href="http://badatsports.com/tags/stephanie-dowda/" target="_blank">Bad At
Sports</a>. Dowda is collaborating with Atlanta based writer, Scott
Daughtridge, for a forthcoming publication titled, <i>Melted City</i>, to be release
at the 2014 <a href="http://atlantazinefest.weebly.com/" target="_blank">Atlanta Zine Fest</a> on June 14th. </span></span></span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /><b>Dowda</b> spoke at Atlanta Contemporary Art Center on April 24th as part of the Studio Artist Talk program. Dowda's studio practice and ACAC were <a href="http://neighbornewspapers.com/view/full_story/24941133/article-Atlanta-Contemporary-Art-Center-hosts-artist-talks-?instance=vinings" target="_blank">featured </a>in <i>Northside Neighbor</i> in April. <br /><br /><b>Nikita Gale</b>'s project, <a href="http://www.parmer.info/index.html" target="_blank"><i>#parmograph</i></a>, is on view now through June 8th at PARMER in New York. </span></span></span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">On view are five new drawings of from Gale’s <i>Autographs </i>series: <i>Rosario Dawson </i>(2014), <i>Stacey Dash </i>(2014), <i>Angela Bassett</i> (2014), <i>Halle Berry </i>(2014), <i>Tyra Banks </i>(2014).
Suggestions of events, exhibitions and readings from the
artist will form the basis of bi-weekly discussion groups on Sundays at
PARMER and satellite locations throughout Atlanta during the course of
the show. These bi-weekly
focused discussion groups will use Twitter as a platform—live tweeting
with the hashtag #parmograph. The accrual of these exchanges will
result in a published text and catalog for the show. If you are
interested in participating in the discussion groups or have any
questions please email: <a href="mailto:amanda@parmer.info">info@parmer.info</a>. <br /><br /><b>Gale</b>'s work is on view in </span></span></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><i>1961:
Revision</i> at <a href="http://www.reginaldingrahamgallery.com/" target="_blank">Reginald Ingraham Gallery</a> in Los Angeles, CA</span></span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
from May 31-July 5.<b><br /><br />Gale </b>will speak at ACAC on Thursday, July 31st at 6:30pm as our next Studio Artist Talk.</span></span></span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Bojana Ginn</b>'s photographic work was reviewed in the April issue
of SciArt in <i>Atlanta Magazine</i>. Her installation <i>Sustainable
Microsystems</i> was featured on SciArt in America's blog.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /><b>Ginn </b>collaborated with Theatre du Reve and Almost New
Festival at the Goat Farm where she installed her commissioned sculptural
piece. <br /><br />During the month of May, <b>Ginn</b>'s video work will be played as a part of
<a href="http://atlantawindowproject.wordpress.com/2014/05/05/the-window-projects-presents-bio-mathic/" target="_blank">The Window Project</a> at GA State University. The Window Project is a new media,
public art platform located in downtown Atlanta on the southern end of Woodruff
park. Projecting 80 feet across the window of GSU's Digital Arts Entertainment
Lab, curated programming screens from sundown to sunrise. <br /><br />On Sunday, May 21st, <b>Ginn</b>'s sculptural and video installation will be presented as part of <a href="http://www.hambidge.org/the-auction.html" target="_blank">The Hambidge Art Auction</a>. During the summer, <b>Ginn </b>will be preparing for her solo
exhibition at the Swan Coach House Gallery that will take place in the Fall 2014.</span></span>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">In August, <b>Faith McClure</b> will participate in the <a href="http://livingwallsatl.com/" target="_blank">2014 LivingWalls Conference</a> as well as <a href="http://www.ideacapitalatlanta.org/artist.php?id=40" target="_blank"><i>hymHouse</i></a>, a collaborative exhibition of female and
female-identified artists to pay homage to Judy Chicago’s <i>Woman House</i>.<br /><br /><b>Michi Meko</b> is participating in the panel discussion </span></span><span style="font-weight: normal;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">"The Power of Creative Expression Through Food, Film, Science & Art" on Wed. May 21st at 6:30pm at the Erikson Clock building. The panel explores </span></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>the creative processes and conversations that
arise throughout artistic development. Huge Atlanta’s Group Creative
Director Derek Fridman will moderate a conversation around creative
expression with the Sound Table’s Karl Injex, filmmaker Alex Orr, Chris
Carter of MASS Collective, and artist Michi Meko. Q&A will follow
the discussion.</span>
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<span style="font-family: arial, helvetica, sans-serif; font-size: x-small;"><span style="font-size: small;">Hang out afterwards to meet Atlanta creatives and enjoy an open bar with drinks and food provided by the Sound Table and music by Rare Form DJ tD. Details <a href="http://www.eventbrite.com/e/the-power-of-creative-expression-through-food-film-science-art-tickets-11345365293?aff=enivtefor001" target="_blank"><b>HERE</b></a>.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span class="userContent"><b>STUDIOS! </b><br /> <i><br /> We have a four studios in
our Studio Artist Program opening now through the end of summer. Sign up
for our mailing list to receive call as soon as it goes out! We will
announce the application process via enews shortly. Scroll to
the bottom of our home page to sign up for enews with ACAC: <a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fthecontemporary.org%2F&h=XAQFu9DvA&s=1" rel="nofollow nofollow" target="_blank">http://thecontemporary.org/</a></i></span> </span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-76335487836830834882014-04-23T23:05:00.001-04:002014-04-23T23:05:41.170-04:00Three Questions with Simone Leigh on "Gone South"<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTkYaZIxtudRim5O_uv-1DyB-P8CfGMYjQMV4YBFUKZO68Ysw0UvjU2PsazXEfevwfjggNo_SFE0pzYzPRNaYI3zM4KUfkXrBIexp3CKzHKcIvtf5esmMElJg_V54usTN0668keYxcE08/s1600/cupboard.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTkYaZIxtudRim5O_uv-1DyB-P8CfGMYjQMV4YBFUKZO68Ysw0UvjU2PsazXEfevwfjggNo_SFE0pzYzPRNaYI3zM4KUfkXrBIexp3CKzHKcIvtf5esmMElJg_V54usTN0668keYxcE08/s1600/cupboard.jpg" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Simone Leigh, <i>Cupboard</i>, 2014, as included in <i>Gone South</i>, April 4-May 31, 2014. </span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">While in Atlanta installing for </span><i style="font-family: Arial, Helvetica, sans-serif;"><a href="http://thecontemporary.org/exhibitions/simone-leigh-gone-south/" target="_blank">Gone South</a></i><span style="font-family: Arial, Helvetica, sans-serif;">, I had the pleasure to ask exhibiting artist Simone Leigh a few questions regarding the exhibition and her practice:</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Rachel Reese</b>: Can you talk about how working both in the context of the South and working site-specifically has informed your methodology of the works in the exhibition?</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>Simone Leigh</b>: I have always been interested in ethnographic form and how it cultivates meaning and historicizes objects or material culture. I would describe the mode that I typically work in as auto-ethnographic. For the most part, I have focused on objects such as West African water pots and plastic buckets, which are like the descendants of the earlier water pots. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">I was inspired by this opportunity to exhibit in the American South to turn to African Americana for material. So in this case I considered a Ed Weston photograph of place called Mammy's Cupboard and a clay mined in Georgia called "Lizella." </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: The material physicality of your works in <i>Gone South</i> are balanced by the absence of artificial light. How did you decide to allow only the natural light in the main gallery? </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>SL</b>: The [renovated] galleries are so filled with light, I realized that everyday illumination could amplify sculptures and structures that consider the quotidian psychological experience of black women, amongst other things. The light in the galleries dramatically changes with the weather and over the course of the day. This felt like a special opportunity, like building a Land art installation inside of doors. </span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>RR</b>: Do you feel your objects hold energy or power, or rather, are you interested in averting energies? I’m thinking of Shamanic power objects or Memory Jugs and how those might relate to your vessels or cowrie shell forms.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>SL</b>: The cowrie, face jug, water pot, skirt, all exist in the everyday and also can embody/channel other languages, histories or rituals. I love the way the object and material meanings are unfixed. </span></div>
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<span style="font-family: Arial,sans-serif;"><span style="font-family: Arial,sans-serif;">Listen to Simone Leigh speak about the exhibition title <i>Gone South</i> <b><a href="http://thecontemporary.org/assets/18751/Simone_gone_south.mp3" target="_blank">here</a></b>. <i>Gone South</i> is on view through May 31, 2014.</span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-74182230963432503812014-04-15T15:22:00.001-04:002014-04-15T15:27:51.782-04:00IN | TURN: Exhibition Mailbag, Spring 2014<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv-CsIgnnk3LjvhAmwjxJuttr8Nb8L87FiGAin0E1btQRwPp9x9CIX0pqM8hSr29GX0TqskKJUHlN0T16YTzDxtH-ADS7lI1dI_KCzUJhPNBMMPKyPCJgmCgeP4TOoAmp82HP2AdfFyNk/s1600/4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv-CsIgnnk3LjvhAmwjxJuttr8Nb8L87FiGAin0E1btQRwPp9x9CIX0pqM8hSr29GX0TqskKJUHlN0T16YTzDxtH-ADS7lI1dI_KCzUJhPNBMMPKyPCJgmCgeP4TOoAmp82HP2AdfFyNk/s1600/4.jpg" height="480" width="640" /></a></div>
<br /><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">ACAC receives exhibition cards, poster, and announcements on the regular that overflow our mailbox. We'll be collecting them all to share with you, so send us your announcements! Here is a <i>selection </i>of current exhibitions locally and nationally:</span></span>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i><a href="http://cuartmuseum.colorado.edu/">CU Art Museum</a></i> (University of CO at Boulder) presents <a href="http://cuartmuseum.colorado.edu/exhibition/paperproduct-portfolios-from-the-polly-and-mark-addison-collection/" target="_blank"><i>Paper/Product</i></a>, portfolios from the Polly and Mark Addison collection. Through June 21, 2014. </span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.socratessculpturepark.org/" target="_blank">Socrates Sculpture Park</a> (NYC) presents <i><a href="http://www.socratessculpturepark.org/exhibitions/exhibition/fact-of-the-matter">Fact of the Matter</a></i> curated by John Hatfield and Elissa Goldstone. Through May, 16 2014. </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://renaissancesociety.org/site/">The Renaissance Society</a> (Univ of Chicago) presents Christina Mackie: <a href="http://renaissancesociety.org/site/Exhibitions/Intro.Christina-Mackie-Colour-drop.654.html" target="_blank"><i>Colour Drop</i></a> (April 27, 2014 – June 29, 2014). </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.paulkasmingallery.com/" target="_blank"><br />Paul Kasmin Gallery</a>: 515 West 27th Street, New York: </span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Jules Olitski: <i>Mitt Paintings</i>: (March 6-April 19): <i>“This exhibition comprises eleven “mitt pictures” made between 1988 and 1992 that showcase Olitski’s groundbreaking, tactile approach to painting.” </i></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i>Alexander the Great</i>: (March 6-April 26): This exhibition will showcase work by many major artists whose careers were defined through their work with influential 20th century art dealer Alexander Lolas. Works included from: Brauner, De Chirico, Copley, Cornell, Ernst, Fontana, Jacquet, Karella, Klein, Lalanne, Magritte, Matta, Olitski, Man Ray, Raysse, Ruscha, St. Phalle, Stevenson, Takis, Tannings, Thek, Tinguely, and Warhol. </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.jacktiltongallery.com/exhibitions/current/" target="_blank">Tilton Gallery</a>: 8 East 76th Street, New York: </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />Brenna Youngblood: <i>Phrase That Fits</i> (March 3-April 19): This exhibition showcases upcoming artist Brenna Youngblood’s newest collection of work. Her work displays explorations between abstraction, illusions, and the concrete object in a painterly, lyrical manner. </span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.thatcherprojects.com/exhibition/108/#!676" target="_blank">Margaret Thatcher Projects</a>: 539 W 23rd Street, New York: </span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Clayton Colvin: <i>Put Down Your Stars </i>(March 27-April 26): This exhibition is Margret Thatcher Project’s first solo exhibition with Birmingham artist Clayton Colvin.<i> "Colvin’s work incorporates elements of drawing, collage and mixed media and his works seem to transport the viewer from their present space, placing them instead onto rich planes where dimensions of space appear to fold and transform."</i></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.rochestercontemporary.org/outlawprintmakers.html" target="_blank">Rochester Contemporary Art Center</a>: 137 East Ave, Rochester, New York: </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /><i>Dirty Dozen: The Outlaw Printmakers</i> This exhibit exhibits work from The Outlaw Printmakers, which is a diverse group of accomplished working artists and artist/teachers from across the US. The artists’ styles differ, however all are dedicated to fine printmaking using contemporary, social/political, and sometimes edgy imagery. </span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.soapfactory.org/" target="_blank">The Soap Factory</a>: 514 2nd St. Minneapolis, MN </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /><i>Art(ists) on the Verge 5</i> (March 8- April 20, 2014): This exhibition is a collaboration with Northern Lights.mn and 5 up and coming Minnesota artists. On the verge is an extensive year long program, mentor based program for emerging artist working with experimental based work.</span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.thecontemporaryaustin.org/" target="_blank">The Contemporary Austin</a>: 700 Congress Ave. Austin, TX: </span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i>A Secret Affair: Selections from the Fuhrman Family Collection </i>(May 3-August 31, 2014): This exhibition will feature work from Glen and Amanda Fuhrman’s collection. This show brings together work from exceptional artists that have never displayed artwork at the Contemporary before. Most of the work is sculptural but all the work revolves around the theme of absence. </span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.mauscontemporary.com/" target="_blank">beta pictoris gallery</a>: 2411 2nd Ave North Birmingham, AL: </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /><i>American Rhetoric</i> by Travis Somerville (April 4-May 30, 2014): <i>"This exhibition demonstrates a scripting of American History that forgoes fulfillment. Somerville’s work uses visual and verbal references to acts of American History that make the brain coincide."</i></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.newmuseum.org/artspaces/view/the-western-front-society" target="_blank">New Spaces Art Spaces Museum</a>: 303 East 8th Ave Vancouver, BC: </span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i>Letter: Benoit Maire</i> (May 21-June 28, 2014): <i>"This exhibition displays work from French artist Benoit Maire. Her work integrates dialog with linguistics, and philosophy through film, photography, and sculpture that entices material sensibility."</i></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br />-Kirsten Sadler, ACAC Intern</span></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-49286135357764599192014-04-14T21:45:00.003-04:002014-04-14T21:46:55.785-04:00Member's Art Trip, Pittsburgh: Winter 2014<div class="separator" style="clear: both; text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">The group tours the Braddock Carnegie Library Music Hall.</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-size: small;"><span style="color: black;">Last month (</span></span></span>February 28-March 2, 2014)<span style="font-size: small;">, ACAC members embarked on the most recent Art Trip to Pittsburgh. While in town, they visited the</span><span style="font-size: small;"> </span><a href="http://ci13.cmoa.org/" target="_blank">2013 Carnegie International at the Carnegie Museum of Art</a><span style="font-size: small;">,</span><span style="font-size: small;"> </span><a href="http://www.warhol.org/" target="_blank">The Andy Warhol Museum</a><span style="color: black; font-size: small;">, The Braddock Carnegie Library, and The Mattress Factory Art Museum, among other sites and attractions.</span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><span style="color: black;"></span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">The first day was spent visiting the Carnegie International; it is the oldest North American exhibition of contemporary art from around the globe. It was first organized at the behest of industrialist and philanthropist Andrew Carnegie in 1896. This year’s version has 35 artists from 19 countries, and it is curated by Daniel Baumann, Dan Byers, and Tina Kukielski. These curators also embedded within their exhibition, <a href="http://ci13.cmoa.org/playground" target="_blank">The Playground Project</a>, an investigation of the history of playgrounds and their connection to developmental thinking, collaboration, and innovation.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: black;"><br />Our group met with Carnegie International co-curator Tina Kukielski. </span><span style="color: black;"><a href="http://www.thecontemporary.org/programming/programs/guest-lecture-tina-kukielski-on-corin-hewitts-seed-stage/" target="_blank"><span style="color: black;">Kukielski </span>has previously lectured at ACAC</a>, about her role as curator of Corin Hewitt’s exhibition at the Whitney Museum.<br /><br />On the second day, they visited the Andy Warhol Museum, the <a href="http://www.braddockcarnegielibrary.org/" target="_blank">Braddock Carnegie Library</a>--</span><span style="color: black;"></span><span style="color: black;">an important neighborhood icon in the town of Braddock, PA, where various arts and culture events take place--and <a href="http://www.mattress.org/index.cfm" target="_blank">The Mattress Factory Art Museum</a>--a nationally-recognized institution for special exhibitions and site-specific programming and installations.<br /><br />Those attending the trip included: Louise Bray, Joe and Ashley Camoosa, Jeff and Debbie Chapman, Nancy and Gene Hoof, Stuart Horodner, Bert and Mieko Horton, Michelle Klink, Emily Kolbinsky, Wendy Lapidus, Lauren and Tim Schrager, Jonathan Shills, Marcia Weber, Jessica and Matthew White. Here are some highlights from members on the trip:</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />"I loved the way the [2013 Carnegie International] was placed amongst the existing exhibits. The most effective of those placements to me was Nicole Eisenman’s sculpted pieces. The Warhol Museum was my favorite. I loved the exhibits of his early life as much as his work. It was so interesting to see where he had come from. On the other hand, I was later intrigued by Joe Camoosa’s sending us the <i>This American Life</i> <a href="http://www.thisamericanlife.org/radio-archives/episode/514/thought-that-counts?act=2" target="_blank">link</a> on [Warhol's] <i>Time Capsules</i>. The whole issue of what to keep from the capsules, and the Museum chose to keep everything down to the dirty underwear, as opposed to the careful choosing done in the rest of the museum is food for thought. The Braddock [Library] was a treat as were three signs that we passed in Braddock that could have been done by Warhol in his early years. And finally the Mattress Factory and the incredible <a href="http://www.mattress.org/index.cfm?event=ShowArtist&eid=118&id=583&c=current" target="_blank">Chiharu Shiota</a> exhibit. Barbara Luderowski has done incredible things with the MF."</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i>-<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="color: black;">Wendy Lapidus</span></span></span></i></span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">ACAC Members on the 2014 Pittsburgh Art Trip. <span style="text-align: start;">Those attending the trip included: Louise Bray, Joe and Ashley Camoosa, Jeff and Debbie Chapman, Nancy and Gene Hoof, Stuart Horodner, Bert and Mieko Horton, Michelle Klink, Emily Kolbinsky, Wendy Lapidus, Lauren and Tim Schrager, Jonathan Shills, Marcia Weber, Jessica and Matthew White.</span><span style="text-align: start;"> </span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">"Henry
Taylor, Nicole Eisenman, Sadie Benning, Sol Lewitt, Wade
Guyton, Lari Pittman, Philip Guston, Georg Baselitz, David
Salle, Peter Saul, Sigmar Polke, Franz Kline, Frank
Stella, Stuart Davis, Laura Owens, Chris Ofili, Julie
Mehretu, Andy Warhol, Jean-Michel Basquiat, Francesco
Clemente, Bill Woodrow, Allan Wexler, William
Anastasi, Chiharu Shiota, Janine Antoni, Yayoi
Kusama, James Turrell..."</span></span></span></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-3572159063334395022014-03-11T18:29:00.000-04:002014-03-11T18:29:56.880-04:00News from the Studios: March 2014<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOQ1GVe7JtQbiy00h953OfrLTSWCmnfsYMcHAEtpuEnHeS0gOgHdxlnNNsp7gDL7JMeeV07Lp-Japnzmzt0xHwZml6jEypirYHYw4tlDwhB-bfbHFy6p6JqOiiQCop3zXDYv47Y3XfZPo/s1600/SenseOf_Awakening.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOQ1GVe7JtQbiy00h953OfrLTSWCmnfsYMcHAEtpuEnHeS0gOgHdxlnNNsp7gDL7JMeeV07Lp-Japnzmzt0xHwZml6jEypirYHYw4tlDwhB-bfbHFy6p6JqOiiQCop3zXDYv47Y3XfZPo/s1600/SenseOf_Awakening.jpg" height="520" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Stephanie Dowda's <i>Topophilia 87829: Sense of Awakening</i>, courtesy the <a href="http://cargocollective.com/TheDowda/Topophilia" target="_blank">artist</a>.</span></span></td></tr>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Fourteen of Atlanta's most dynamic artists have spaces in the <b><a href="http://thecontemporary.org/studio-artists/">Studio Artist Program</a></b>
here at ACAC. They are active professionals who show regularly around
Atlanta, in the region, and nationwide; teach at prestigious schools;
and help energize the local art scene and beyond. We like sharing their
news with you each month:</span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>MARCH 2014</b></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />Stephanie Dowda</span></span></b><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">'s solo exhibition, <i>Topophilia</i>, will open
Saturday March 15th at <a href="http://getthisgallery.com/" target="_blank">Get This! Gallery</a>. For opening event details please visit <a href="https://www.facebook.com/events/1457050541180304/" target="_blank">here</a>. In addition, Dowda will speak about her work on Thursday April 24th at ACAC from 6:30-7:30pm in our lecture hall. </span></span></span></span></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Nikita Gale</b> has work on view in <a href="http://brucennial.com/" target="_blank"><i>The Last Brucennial</i></a>, presented by Vito Schnabel and the Bruce High Quality Foundation, through April 4th. In addition, she is a <a href="https://paddle8.com/work/nikita-gale/27331-post-skill-lifestyle" target="_blank">Silent Auction Crush </a>for BURN<i>AWAY</i>'s <a href="http://artcrushauction.com/" target="_blank">Art Crush Auction</a> on March 22nd at Paris on Ponce.</span></span></span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Bojana Ginn</b> </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">will present her sculptural drawings made of natural fiber and
light </span></span>on Thursday, March 27, 6:30 PM, at MASS Collective in Atlanta. She will also join the panel of scientists and educators to discuss
sustainability issues. The panel is part of Discovery Dialogues organized by
Atlanta Science Festival and MASS Collective. Please join! Bojana's article
"Can Art Stress?" is published by the STEAM Journal, Claremont
University: <a href="http://scholarship.claremont.edu/steam/" target="_blank">http://scholarship.claremont.edu/steam/</a>.</div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Michi Meko</b> participates
in <a href="http://www.mocaga.org/SCORE.htm" target="_blank"><i>SCORE: Artists in Overtime</i></a> curated by Hope Cohn at MODA.<br />
The exhibition is on view through Mar 29, 2014.<br /></span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Jiha Moon</b>'s solo exhibition, <i><a href="http://weatherspoon.uncg.edu/exhibitions/show/?title=jiha-moon-falk-visiting-artist" target="_blank">Foreign Love: Jiha Moon</a></i> at the Weatherspoon Museum, is on view through April 13, 2014. Moon's exhibition <a href="http://ryanleegallery.com/exhibitions/jiha-moon-foreign-love-too/" target="_blank"><i>Foreign Love too</i></a> is on view at Ryan Lee Gallery in New York through March 15th. She was recently interviewed by BLOUIN ARTINFO <a href="http://www.blouinartinfo.com/news/story/1007075/23-questions-for-painter-and-knick-knack-collector-jiha-moon" target="_blank"><b>here</b></a>. In addition, Moon has work on view in the group show, </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.high.org/Art/Exhibitions/Paper-and-Ink-Acquisitions.aspx" target="_blank"><i>Paper and Ink: New Print Acquisitions</i></a>, at the High Museum in Atlanta through June 15th. </span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>
</b></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-43169225956174749082014-03-06T14:16:00.002-05:002014-03-07T14:21:01.607-05:00Reading List: Kate Shepherd<!--[if !mso]>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />1.<br />I
thrive on <i>coming upon things</i>, on randomness, so I say: Hail the
<a href="http://www.strandbooks.com/" target="_blank">Strand Book Store</a>. The carts outside hold treasures about unexpected areas of
expertise. From forty eight cents to $2.00, they are the dregs of used books. I often buy
auction catalogs, however this one I requested directly from Sotheby's, as I
was interested in Caucasian carpets for a while. The first painting I made in
2003 that required a computer was like the carpet in this photo. The method of drawing I had
been using to create perspective was taping threads to an imagined horizon line
on the studio wall- but this was no longer an option as the rug pattern had
multiple diagonal lines with unknowable vanishing points. In addition to the
bold geometry, I am drawn to the limited palette; this period of dying leans
towards blues and reds with an accent of green.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">2.<br />As common of a choice this book is,
I return to it again and again. The dialogue sounds immediate, the use of italics is hilarious, the cinematic imagery is so easy to imagine. At its heart is the insistence on the ideal and parody of the
"normal," yet all the while an argument in reverse: a mockery of standards and spirituality. Then there is an avid embrace of Jesus in the crescendo, to
indirectly and constantly see the Christ in every man. I await the year that I
have forgotten this book enough so that I can return to it and be surprised again by
its construction.</span></span>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">3.<br />Another source of powerful idealism,
Le Corbusier aims to guide his architecture students to aim higher and more spiritually. He espouses considering the whole. A subject
he addresses adamantly, and which fascinates me as an essential but lost
art, is the design of public space. Looking and moving on the street and in
parks affects us subconsciously yet substantially, because
in our passage all our senses are engaged often without realizing it. For Le
Corbusier, architecture is the experience we have transitioning from the micro to the
macro, from our intimate quarters to the general public flow of traffic. The
passion in these talks is dumbfounding at times; I read only a bit at a time.
Later came Jane Jacobs who wrote <a href="http://www.amazon.com/Death-Life-Great-American-Cities/dp/067974195X" target="_blank"><i>The Death and Life of Great American Cities</i> i</a>n
1961; she disputed some of Le Corbusier's tenets and helped save lower
Manhattan from Robert Moses' destructive highway plan. </span></span>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />4.<br />Any black and white photograph from
this period (60s and 70s) I find to be utterly poignant. This book is from
Denmark, I believe, and has absolutely no text. A thick publication delicately
bound, every page is a full bleed image, singularly depicted. I gather it is
meant to teach children to talk about situations and describe things. Because
there is no color, only light serves to give the forms weight and
substance.<br /></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />5.<br />I often choose to read books about
books rather than books with stories. Shklovsky was a Russian literary critic,
and a political one. In this book, he addresses the path of influence which he
calls "the knight's move," a term he uses to mean that there is
rarely a direct path form one idea to a subsequent one, or from one influence
to the next. He explains that there is a jog in the connection as a knight
makes in chess. I was fascinated and excited to see a diagram of intellectual
movement. When first reading the book, I remembered how I am attracted to areas
which are seemingly unaffiliated to what I am doing. <br /></span></span></div>
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</xml><![endif]--><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />6.<br />Suzuki Beane is another book that
uses dialogue, also specific vocabulary to animate and carry the story, which
is told by the "wild" Suzuki Beane who sees the world confidently
through her own lens. She has her own vernacular and, at the end, there is even
a glossary of the words she uses. She is a proud free spirit who embraces and
sticks up for her "beatnik" parents--one is an artist and the other a poet. While holding her own, a relationship forms with a
wealthy schoolmate from an uptight household. </span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="background: none repeat scroll 0% 0% white;">All
hell breaks loose when she </span><span style="word-spacing: 0px;">defies all the rules </span></span></span><span style="-webkit-text-stroke-width: 0px; float: none; word-spacing: 0px;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">and their cultures really clash</span></span>.<br /></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i> -Kate Shepherd</i></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i><br />Kate Shepherd is an exhibiting artist in our </i><a href="http://thecontemporary.org/exhibitions/coloring/" target="_blank">Coloring<i> </i></a><i>exhibition, which closes Saturday March 8, 2014. Read a recent interview with Shepherd, by Ridley Howard, <a href="http://atlantacontemporary.blogspot.com/2014/02/kate-shepherd-on-color-interview-with.html" target="_blank"><b>HERE</b></a>.</i></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-57635492965143244382014-03-05T15:16:00.001-05:002014-03-05T15:16:32.494-05:00Member Spotlight: March 2014<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglVx4mAexjba9QFukU0T6YWYSdDVc4LhIVja2CK8z6twPKFh-S-ByY3iVYxt1js9ZL2SZnfRsfImD00LIhPA_rjUy3sX8zU0E5dYs4qH0R5E6jsVIuVpNQLl4C-M-gP_9ei8wOqqOWHNU/s1600/IMG_3490+-+Version+3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglVx4mAexjba9QFukU0T6YWYSdDVc4LhIVja2CK8z6twPKFh-S-ByY3iVYxt1js9ZL2SZnfRsfImD00LIhPA_rjUy3sX8zU0E5dYs4qH0R5E6jsVIuVpNQLl4C-M-gP_9ei8wOqqOWHNU/s1600/IMG_3490+-+Version+3.jpg" height="640" width="586" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">ACAC Member Donna McAlear. </span></span></td></tr>
</tbody></table>
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<![endif]--><b><span style="font-family: "Arial","sans-serif"; mso-bidi-font-style: italic;">Donna McAlear - Member Spotlight, March 2014</span></b><br />
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<br /></div>
<div class="ecxmsonormal">
<b><span style="font-family: "Arial","sans-serif";"></span><span style="font-family: "Arial","sans-serif";">How
did you become involved with ACAC?</span></b></div>
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<span style="font-family: "Arial","sans-serif";">When I
relocated to Atlanta from Toronto in 2009, I visited contemporary art spaces
and museums as one of many ways to learn about the city. I worked as a
contemporary art curator and art museum administrator for 20 years in Canada,
Australia and the United States before opening my interior design business here five years ago. My involvement with contemporary art and exhibition spaces in my
home city and when I travel is a constant in my life.</span></div>
<div class="ecxmsonormal">
<br /></div>
<div class="ecxmsonormal">
<b><span style="font-family: "Arial","sans-serif";">What
do you enjoy most about being an ACAC member?</span></b></div>
<div class="ecxmsonormal">
<span style="font-family: "Arial","sans-serif";">I
appreciate the diversity of contemporary art presentations, especially the
curatorial mix of local and global practice. I'm also thrilled that I
joined the <a href="http://thecontemporary.org/support/membership/" target="_blank">Patron Artists' Group</a>: exciting excursions with great people. I wish
I had time to join more of these excursions, routinely. I so enjoyed the
group's trip to <a href="http://atlantacontemporary.blogspot.com/2013/02/member-trip-to-birmingham.html" target="_blank">Birmingham</a> in 2013!</span></div>
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<br /></div>
<div class="ecxmsonormal">
<b><span style="font-family: "Arial","sans-serif";">What’s
been your favorite experience at ACAC in the past year?</span></b></div>
<div class="ecxmsonormal">
<span style="font-family: "Arial","sans-serif";">The recent
renovation to the ACAC building is fabulous. Kudos to all who made it happen!
The redesigned spaces create a refreshed and heightened experience for all
center participants - those working in the space, exhibiting artists, members
and visitors. The opening celebration was a blast, marking a true milestone and
bright future for the ACAC and all who value the center and its vision.</span><br />
<br />
<span style="font-family: "Arial","sans-serif";"><i><span style="font-family: Arial, Helvetica, sans-serif;">ACAC is dedicated to the advancement of contemporary
art. You make this possible by joining
the conversation, and joining ACAC as a member. <a href="http://www.thecontemporary.org/support/membership" target="_blank"><span style="color: blue;">Become a member today!</span></a></span></i> </span><br />
<br />
<span style="font-family: "Arial","sans-serif";"><b><span style="font-family: "Helvetica","sans-serif"; mso-fareast-font-family: "Times New Roman";">About Donna McAlear: </span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmcxal4qZjd_trKPF88KRRrABIqvpQqb7eOHISbcp1A0kNolpFFapsZVDwQKAnjBzVZHLwITmMq8G6PMARLi4MLlDy4z5bgL7PR5hsBT8WknA1S6ozlRiJXmnztz8Ndm2GbTa0lkMAERw/s1600/20101218_mg_dm_brck_0469a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmcxal4qZjd_trKPF88KRRrABIqvpQqb7eOHISbcp1A0kNolpFFapsZVDwQKAnjBzVZHLwITmMq8G6PMARLi4MLlDy4z5bgL7PR5hsBT8WknA1S6ozlRiJXmnztz8Ndm2GbTa0lkMAERw/s1600/20101218_mg_dm_brck_0469a.jpg" height="424" width="640" /></a></div>
<b><span style="font-family: "Helvetica","sans-serif"; mso-fareast-font-family: "Times New Roman";"><br /></span></b><span style="font-family: "Helvetica","sans-serif"; mso-fareast-font-family: "Times New Roman";"><span style="font-family: "Helvetica","sans-serif"; mso-fareast-font-family: "Times New Roman";"><a href="http://newmooddesign.com/biography/" target="_blank">Donna McAlear</a> is an interior designer under the firm <a href="http://newmooddesign.com/" target="_blank">New Mood Design</a>
since 2004. Her</span> passion is
renovation and new construction, shaping environments that authentically embody
the essence of client aspirations and lifestyles. A signature quality of New
Mood Design's award-winning work is that interior spaces and finishes visually
harmonize with their architectural settings.<br />
<br /></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-48949090426125623212014-03-03T16:01:00.000-05:002014-03-03T16:03:24.024-05:00IN | TURN: Q+A with Ben Schonberger<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjON0xc89LE0BoTWm0UqHlvxeXcpafcZNtINCppyW9demmQRexMJvJ3IyCbnSexMHuVe_iCXN682rGoolXAO60DxcRNvaYFit0kTra_HPhnxSGSA3tggtpTTV2bUM3bClnP4X9qaQkoRIE/s1600/schonberger.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjON0xc89LE0BoTWm0UqHlvxeXcpafcZNtINCppyW9demmQRexMJvJ3IyCbnSexMHuVe_iCXN682rGoolXAO60DxcRNvaYFit0kTra_HPhnxSGSA3tggtpTTV2bUM3bClnP4X9qaQkoRIE/s1600/schonberger.jpg" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Ben Schonberger's studio in Alexandria, VA.</span></span></td></tr>
</tbody></table>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Your work investigates and deconstructs typologies of
men and their relationship to labor. With your most recent series <i>Beautiful Pig</i> you explore the life of
the retired Detroit police officer Marty Gaynor. Moving forward, what type of
career(s) are you looking forward to investigating?</b><br /><br />Currently, I am still exploring cops. I am in the
process of working with another retired Detroit police officer. This cop also
worked in the city during the same time as <a href="http://thecontemporary.org/assets/17891/BenSchonberger_audio.mp3" target="_blank">Marty [Gaynor]</a> and I would like to bridge
them together into something collaborative once this investigation is
completed.<b><i><br /><br />Beautiful Pig</i>
is currently displayed at ACAC’s exhibition <a href="http://thecontemporary.org/exhibitions/in-translation/" target="_blank"><i>InTranslation</i></a> as photographs displayed in a traditional
gallery setting, and we also have the book form in our <a href="http://thecontemporary.org/about/shop" target="_blank">SHOP</a>. In what ways do you feel that both forms speak about the work?</b><br /><br />The book culminates the entire investigation and holds
about 90% of the images discovered and created during the work. The book also
exposes negatives and outtakes, which are things that I believe to be important
aspects to the development of the project. It was such a fantastic experience
formatting the work for a traditional framed exhibition. What you see on view
at the ACAC is about 25% of what would exist if the entire body of work was
narrated into a solo show. <i>Beautiful Pig</i> is an extensive body of work and
collection of images.<b><br /><br />While working on this series it’s safe to say that you
formed a close relationship with retired police officer Marty Gaynor, one could
say almost embodying him and his profession. What affect did this have on you
as an artist after the completion of the series?</b><br /><br />Working with Marty was a fantastic experience and really
was an adventure. Once the book was printed, people began to ask questions
about the book and its content, as well as our relationship. Some people were
not sure if the information was even real. This, in my opinion, is one of the
best parts of the work--that moment when the viewer’s eyes get really big and
unsure. Completion of the series and presenting the work has made me
hyper-aware of how the work can be interpreted in so many different ways.
People have such unique connections and relationships to what the work talks
about.<b><i><br /><br />Beautiful Pig</i>
was just shortlisted for a 2013 Paris Photo-Aperture Foundation PhotoBook Award,
and will be shown at additional venues over the course of this year. Because of
its success, do you see yourself permanently creating photobooks in addition to
your photographs in the future?</b><br /><br />I love photobooks and had such a positive experience
translating <i>BP</i> into a book. I will definitely be making more books in the
future.<b><br /><br />What current artists and (or) photographers work do
you find interesting?</b><a href="http://www.salon94.com/artists/detail/liz-cohen" target="_blank"><br /><br />Liz Cohen</a>, <a href="http://www.interviewmagazine.com/art/kalup-linzy/" target="_blank">Kalup Linzy</a>, <a href="http://www.asgercarlsen.com/" target="_blank">Asger Carlsen</a> and <a href="http://www.christianpatterson.com/" target="_blank">ChristianPatterson</a></span></span><b><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /><br />Are there any upcoming exhibitions or events
that you’re looking forward to attending this year?</span></span></b></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />The <a href="https://www.spenational.org/conference" target="_blank">National SPE Conference in Baltimore, MD</a>; The <a href="http://whitney.org/Exhibitions/2014Biennial" target="_blank">WhitneyBiennial</a> in NYC and the 2014 <a href="http://www.cranbrookart.edu/museum/CAMec2.html" target="_blank">Cranbrook Academy of Art Graduate Degree Show</a> in
Bloomfield Hills, MI<br /><b><br /></b></span></span></div>
<b>
</b><br />
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<b><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">What type of music are you currently listening to?</span></span></b></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />Disco</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /><b>What does a typical day for you entail?</b></span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />I live three lives:</span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">1. Artist: VA</span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">2. Art Teacher: WV</span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">3. Restaurant Employee: DC</span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />A typical day is a combination of all three and it can get
crazy. I also spend way too many hours a week in the car, that’s where the
disco comes in handy.<br /><br /><i><br /><a href="http://www.benschonberger.com/" target="_blank">Ben Schonberger</a> is an exhibiting artist in our </i><a href="http://thecontemporary.org/exhibitions/in-translation/" target="_blank">In Translation</a><i> exhibition, on view through Saturday March 8, 2014. </i></span></span></div>
<div class="MsoNormal">
<br /></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-8965163865100267982014-02-28T14:18:00.004-05:002014-02-28T14:18:43.970-05:00Reading List: Jonathan Bouknight<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPUI55kJ_14SBqSXFVujuuorsSATt-fY53Slale5NI5AnpeUfSJ3z5IuxAT-HGRw_9pSPLrYgzabqtclDrDJcmBFkblQVNAgQVEnuXM029nKn6Osf8gi9JNJo-aDBJoxB665_1jAg5GT8/s1600/Book01_jbouknight.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPUI55kJ_14SBqSXFVujuuorsSATt-fY53Slale5NI5AnpeUfSJ3z5IuxAT-HGRw_9pSPLrYgzabqtclDrDJcmBFkblQVNAgQVEnuXM029nKn6Osf8gi9JNJo-aDBJoxB665_1jAg5GT8/s1600/Book01_jbouknight.jpg" height="426" width="640" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Book01</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I'm currently reading "Fire in the Belly, The Life and
Times of David Wojnarowicz" by Cynthia Carr. It's excellent. </span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw_s4RP55iu3qmNIha64oHEjJvSPq1rn90LeKLtoW7afJKT4vA2XMVljRqDqp7bYg8jbBSX68XS9ND-kLaTHA7gWMuS4A3kQYUvtjMEmoCUeCn0ZUl9GJCJTvLpWl12Jzep_lrhjKTu8Q/s1600/Book02_jbouknight.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw_s4RP55iu3qmNIha64oHEjJvSPq1rn90LeKLtoW7afJKT4vA2XMVljRqDqp7bYg8jbBSX68XS9ND-kLaTHA7gWMuS4A3kQYUvtjMEmoCUeCn0ZUl9GJCJTvLpWl12Jzep_lrhjKTu8Q/s1600/Book02_jbouknight.jpg" height="426" width="640" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Book02</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">My favorite new thing in the studio is the BUTT 2014
calendar, which is inspiring me each and every day. Occupying the page for
January 10 is an image by Wolfgang Tillmans.</span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2mVBp1L6EE_SkH49pV9tWDh2KtkdUq9bemD4UyVAkz7v63LK24IFLmwGXFFIL2Lr6quWXg0BPs7wScGmCTWYSyAzzhTcX2n6EZSUYQ8eRDB7kp1LLAHoGTy88lENoxGEzyTFLkOY6HM0/s1600/Book03_jbouknight.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2mVBp1L6EE_SkH49pV9tWDh2KtkdUq9bemD4UyVAkz7v63LK24IFLmwGXFFIL2Lr6quWXg0BPs7wScGmCTWYSyAzzhTcX2n6EZSUYQ8eRDB7kp1LLAHoGTy88lENoxGEzyTFLkOY6HM0/s1600/Book03_jbouknight.jpg" height="426" width="640" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Book03</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Speaking of Tillmans, I've been looking at a lot of work by
photographer Walter Pfeiffer and recently acquired a reprint of his book of
work from 1970-1980.</span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWSX3VcjvKR-bfMhuacOByesquD-Z6FGCstJ06N-4nS6OQDEjzLF-9EWoPfUF15CYI9hAwv5HLeVBGt4Be5gTeInIy4rENMe0KMpxggTsmwsfZyBEc2wmx7TjsgRar50_7PCDQReVg4TM/s1600/Book04_jbouknight.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWSX3VcjvKR-bfMhuacOByesquD-Z6FGCstJ06N-4nS6OQDEjzLF-9EWoPfUF15CYI9hAwv5HLeVBGt4Be5gTeInIy4rENMe0KMpxggTsmwsfZyBEc2wmx7TjsgRar50_7PCDQReVg4TM/s1600/Book04_jbouknight.jpg" height="426" width="640" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Book04</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I've also been looking at the work of Viviane Sassen.
I really enjoy the way she handles fashion photography. A very
inspiring friend gave me her book "In and Out of Fashion" for my
birthday.</span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgipZW2elzTwxUpFYVu4STwVEp3TwvN3fJPsudBy8yDuIrEmAhuPLKlnwwv_XIMtteHeDy9DB5kzATjRb2tXLfhN2brA-_oSBOuzA7P_DHefjQPxxDE0JpTWQmNjOrJEH7GFF8AfB-HQeY/s1600/Book05_jbouknight.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgipZW2elzTwxUpFYVu4STwVEp3TwvN3fJPsudBy8yDuIrEmAhuPLKlnwwv_XIMtteHeDy9DB5kzATjRb2tXLfhN2brA-_oSBOuzA7P_DHefjQPxxDE0JpTWQmNjOrJEH7GFF8AfB-HQeY/s1600/Book05_jbouknight.jpg" height="426" width="640" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Book05</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I also keep coming back to the book on Amanda Ross-Ho, whom
tickles my brain.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<i><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">-JB</span></span></i><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Jonathan Bouknight</b> is an artist in our <a href="http://thecontemporary.org/exhibitions/in-translation/" target="_blank"><i>In Translation</i></a> exhibition, on view through Saturday March 8th. </span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-704424366428623562014-02-26T11:00:00.000-05:002014-02-26T11:00:05.847-05:00Kate Shepherd on Color: Interview with Ridley Howard<!--[if gte mso 9]><xml>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbnh2y0CoaxCqfO9BNQKQcTepaffq6ba062DtWYelYR6Qi_SRH66Ff5ceYVavU2QSrt20kY6ttLDPHqtuOy1DlLbwBdd4t5SsxRfHpPp8HBSOlmBs-O_6nli5jtOyWoid8OXo0jIFGy2E/s1600/Studio+installation+-+July+2007+SMALL.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbnh2y0CoaxCqfO9BNQKQcTepaffq6ba062DtWYelYR6Qi_SRH66Ff5ceYVavU2QSrt20kY6ttLDPHqtuOy1DlLbwBdd4t5SsxRfHpPp8HBSOlmBs-O_6nli5jtOyWoid8OXo0jIFGy2E/s1600/Studio+installation+-+July+2007+SMALL.jpg" height="422" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Kate Shepherd's studio, circa 2007.</span></span></td></tr>
</tbody></table>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Kate Shepherd</b>
was born and raised in New York City. She received her MFA from the School of
Visual Arts in 1990. She has been a resident at Skowhegan, the MacDowell
Colony, and the Chinati Foundation in Marfa, Texas. Her work appears in
numerous international public and private collections, and she is represented
in New York by Galerie Lelong. Recent work is currently included in <i>Coloring</i> at Atlanta Contemporary Art
Center [Jan 10-Mar 8, 2014]. The following is our exchange about her work,
contemporary painting, and life in New York.<br />
_____________________________________________________________________________________</span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Ridley Howard</b>: Since
the show at Atlanta Contemporary Art Center is about color, maybe let’s start
there. It’s interesting to think about how your focus on color shifts and
changes, and has developed. In some ways, you have a pop sensibility. There is
something very common and consumable about the colors you use, which seems
deliberate. At the same time they can evoke space and light, time of day, or
experience perhaps. Can you talk a bit about how you arrive at color in your
paintings? </span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Kate Shepherd</b>: Well said; I
do like what we have come to consider “Pop” colors. An important shift took
place when I started to make drawings on paint chips in the mid-90s. Each image
was on its own miniature chromatic field, each one setting the
tone, creating a reference that played off the image I drew. These tiny casual
drawings were a huge shift for me after having made a living painting
portraits. I was searching for a way to change my work and this was a liberating
solution. </span></span></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqmAplopIRg7EWxdOBMRzPSTFc-sYNKAs2S9mWZuiHgFvTtsPiKYmByawfpMU72P4oyOY3oGAcztnSGt7nLieOh8NmwtNdbpIZudCBQ8HrIsTMp_29h3Y_qtbKLd4ET7jOvxi4-V-44XU/s1600/3+grays,+center+rabbit.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqmAplopIRg7EWxdOBMRzPSTFc-sYNKAs2S9mWZuiHgFvTtsPiKYmByawfpMU72P4oyOY3oGAcztnSGt7nLieOh8NmwtNdbpIZudCBQ8HrIsTMp_29h3Y_qtbKLd4ET7jOvxi4-V-44XU/s1600/3+grays,+center+rabbit.jpg" height="294" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Kate Shepherd,<i> Lone Rabbit</i>, 1995, 2 x 6 inches, graphite transfer on paint chip, courtesy the artist.</span></span></td></tr>
</tbody></table>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span>
</div>
<div class="FreeForm">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Often with color, I'm
remembering a time when I grew up in the 60s and 70s—when cartoons, plastic,
and graphic design were boldly chromatic. In art, I remember images by Sister Corita
Kent, Calder and Lichtenstein, Robert Indiana, even Richard Linder. Color was
something I really focused on, and sometimes I dressed in all red or all violet,
head-to-toe. But depending on the painting, I’ll either use something blatantly
culturally referential, or a heavily-mixed less chromatic color to evoke a
mood. I always "break" a color to set it apart from being too clean
and “from the can”—better creating an atmosphere that also pushes it back
spatially. Also, I am very interested in the relativity of colors, how they
interact and how a palette is created, like in a yearly series of monotypes I
do using the same image adjusted and flipped to create 200 different gradations
of one hue. Often my interest in color is how it shows incremental emotional
shifts.</span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: Do you like a
lot of art from the West Coast? And I know we have a shared admiration for
Albers, though probably from very different angles.<b> </b></span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>:<span style="color: #1c1c1c;"> Speaking
of subtle changes, when I first saw the nine-cell color triangle in Albers’ </span><i>Interaction of Color</i> well, I thought
I had hit a goldmine of possibilities. In the study, he shows how primaries
make secondaries, what comprises tertiaries and the more you play with it, the
more it unfolds. I took it upon myself to copy this work which is usually my
way of understanding something better and making it my own. My triangles became
more confined in hue and chroma yet they spanned in value, creating interlocking
puzzles each with their own rhythm and logic. I also changed the proportion of
the work to be very tall, as I tend to like to elongated forms, more like the
size of a painting.</span></span></div>
<div class="FreeFormA">
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<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">In
terms of the West Coast artists, that’s an interesting question. If you have in
mind otherworldliness, a remove from the “topics” of concept-driven art, then
yes, absolutely. Like with McCracken, <span style="color: #1c1c1c;">Larry Bell, Robert Irwin.
I like very much how their work exists both as a discrete world while also
reflecting its environs. </span></span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #1c1c1c;">As well, I share with them an impulse towards what I might call
a “soft absolute,” meaning an experience that lasts longer than a passing
expression; I’d say it’s found in the realm of certain painters, like Morandi,
and certainly Vermeer, and it’s particularly important in portraiture. </span></span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: It's
interesting how the uniformity of your surfaces, the sheen of the enamel, the
crispness of colors emphasize the flat surface, and your line-work and images
play simple and elegant games with illusion and depth. You seem aware of the
romance and impossibility of both.<b> </b></span></span></div>
<div class="FreeFormA">
<br /></div>
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<span style="mso-fareast-font-family: "Times New Roman";"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Kate Shepherd, <i>Transparent
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<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>: Interesting
what you say about “impossibility,” because once when I tried spraying the
paint on the panels looked like kitchen cabinets; so I went back to painting
them with a brush showing a subtle hint of the strokes that I had never noticed
until they weren’t there. Regarding the components—in truth, the wood panel is
the wall, the all-over color is how one would paint architecture, and the line
is diagrammatic of something in space. You could say that as a whole,
I've side-stepped the traditional elements of painting by not using canvas,
using only one color and avoiding rendering; it’s basically an oversized
drawing on a chromatic surface. </span></span></div>
<div class="FreeFormA">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijlH2GHNolq13qXlCyEUAzrRF3iz2bRfOmrrHFR1g8ez37lBOXwHCo-YM3y7YKAyxJzHXSpAww0RgfbDtMJyOgEid5eXHND-YhAHWV5GdElINJmzMntk-Xzyudd-nXli9sdED34-77NFI/s1600/GL+6749+-+Brave+Tailor%2527s+Swath+SMALL.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijlH2GHNolq13qXlCyEUAzrRF3iz2bRfOmrrHFR1g8ez37lBOXwHCo-YM3y7YKAyxJzHXSpAww0RgfbDtMJyOgEid5eXHND-YhAHWV5GdElINJmzMntk-Xzyudd-nXli9sdED34-77NFI/s1600/GL+6749+-+Brave+Tailor%2527s+Swath+SMALL.jpg" height="462" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Kate Shepherd, <i>Brave Tailor's Swath</i>, 2006, oil and enamel on panels, 60 x 84 inches, courtesy the artist and Galerie Lelong, New York.</span></span></td></tr>
</tbody></table>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span>
</div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: And what about
play, or games, or puzzles? Despite the minimal austerity, there is a more
light-hearted spirit in the work.<b> </b></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: #0e002c;">KS</span></b><span style="color: #0e002c;">: Games have always been fascinating to me. </span>With my friends all over the world, I have games going
through the mail and on the Internet. <span style="color: #0e002c;">And to be specific about the work in this show, I could go on
and on about the different kinds of puzzles that I’ve collected over the years.
Basically, there are the ones that have been cut to follow the outlines of an
image—like a Playskool wooden child’s “tray” puzzle—and the ones whose pieces
are independent of what is being depicted—like a 500-piece puzzle. I started to
make my own puzzles with a jigsaw but came to a standstill regarding the
subject matter. Then I wanted to make something as beautifully self-generated
as the broken shell of a hard-boiled egg. I think the crack pieces work well
because the cuts are the subject matter and the puzzle pieces all at once.
</span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH4sQ9Y9zgPecc2L-KhQvSvlp_kr30uc6dRM5quCoK9XQb2j_ZO7ySg-IrZdGXJ9hRg4zArswZoEOaDayU7GJOQZBqF-QJl6UGyxwh2XJB6GzKw-RKm4BU3TNP-kc0X3PKgf1-6CsMPRo/s1600/KateShepherd_Foliage.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjH4sQ9Y9zgPecc2L-KhQvSvlp_kr30uc6dRM5quCoK9XQb2j_ZO7ySg-IrZdGXJ9hRg4zArswZoEOaDayU7GJOQZBqF-QJl6UGyxwh2XJB6GzKw-RKm4BU3TNP-kc0X3PKgf1-6CsMPRo/s1600/KateShepherd_Foliage.jpg" height="476" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Kate Shepherd, <i>Foliage</i>, 2013, lasercut plywood, stained, 15 x 22 inches, courtesy the artist and Galerie Lelong, New York.</span></span></td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #0e002c;"> </span></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #0000fe;"> </span></span></span>
</div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">And
I often come back to the basic perspective exercise—two sets of diagonal lines
intersecting horizontal ones, and regular ticks off the bottom of the page. Each
time I do it, it's different because I have to re-learn it.</span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>:<b> </b>You engage with modernist traditions,
but obviously from a digitized perspective. Can you talk about that
entanglement in your work?<b> </b></span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>: I do use the
computer for most of the work I do now. It seems that everything I do is hashed
out on the computer first, except for the recent land installation and the
improvised drawings I am doing now. At the same time, I tend to remember
paintings I have studied: Picasso, Matisse, Van Dyck, Velasquez and others
whose work I scrutinized from the point of view of color and composition. I was
a classically trained painter for years before getting what we would call a
contemporary art education. The fundamentals of painting are still vital to me
and while I mix the various aspects together, as when I move an image from <i>SketchUp</i>
to a panel, I don’t seem to let my concepts about composition go. I tend to
adhere to the things that have wowed me and gotten under my skin early on,
but riff off them within whatever process or medium I use. </span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: Funny, you now
sometimes see the term “Post-Internet” to describe art that embraces an
accumulation of visual information via the web. But it seems like a reasonable
descriptor for <i>most</i> contemporary
painting, even when it isn’t so visible. We have instant access to so much
visual candy, and history, genre, time, style, low-high. It’s all compressed
and at the tips of our fingers. Maybe that’s a conversation that existed in one
form before the Internet, but has your work, or what finds its way into the
work, changed a lot in the past five to ten years?<b> </b></span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>: This is the
question I'm thinking about: nowadays, when we mix references, are we doing it
because the playing field is now leveled and all the things that interest us
can be considered by the art world to be of equal importance? Or is it because
we are afraid to put all our eggs in one basket? Recent etchings were inspired
by repetitive lines in Rembrandt and Durer’s prints, but I used primary colors
and printing mis-registrations that are reminiscent of my favorite
Bazooka Joe comics. With the seriousness and romance of one, I added the humor
and child-like quality of the other, because working with only one would be
flat, incomplete....</span></span></div>
<div class="FreeForm">
<br /></div>
<div class="FreeForm">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span class="yiv4825009133yui3130ym1113927756839089515">And it’s definitely true that the computer has
transformed us; we are all so aware of references and images that are
at-the-ready. I see younger artists making work that is a direct lift from Modernist
art—whether it be Isamu Noguchi, Medardo Rosso or Louis Kahn. This recycling is
wonderfully romantic and also a product of easy-access. Meanwhile, I have accumulated digital
files as a constant reminder of ideas I've been “worrying” like a cigar. Over
time, I hope to realize just why they’ve been appealing and how I can use them.
This has been especially useful in the last fews years because I have channeled
these interests to works that are non-painting related, opening it all up.</span></span></span></div>
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<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: Looking at
your work, I think a lot about modern architecture, but then also architectural
renderings of Piranesi or someone like Brunelleschi. There are many
contemporary artists too, who all deal with a kind of mathematical relationship
to space. Can you talk a bit about your interest in architecture and space?</span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>: I feel a
painting of mine must have a pushback past the picture plane, past the surface
of the panel itself. Otherwise it’s not going anywhere else and I’m not
offering the viewer enough. I started by using the fewest lines possible to
investigate 2D and 3D spatial readings, then later used a whole network of
lines suggesting a plane receding to a horizon, and along the way all sorts of
permutations of tilting walls and floors. In 2005, after thinking I had gone
too far in a landscape vein, I let myself off the hook and made a series that
was an homage to the backs of playing cards. The imagery was akin to the light
rays in catholic saint iconography. The panels were made to be faithful to the
proportions of a playing card and the corners were also rounded. I painted rays receding to a sun-like shape
but they always looked flat. Of course, the imagery changed back, and recently
some paintings have more non-decipherable lines yet still [exist] in
perspectival space. They are less readable or “platonic,” and you can’t really
figure out where the vanishing points are. So it’s funny you should mention
contemporary architecture, because in that as well, there is often an absence
of centrality and a logic which is less ‘exposed.’ </span></span></div>
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<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: And what about
Giacometti? There are some
connections there…structure perhaps, but also the significance of empty space.</span></span></div>
<div class="FreeFormA">
<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>: He’s a good
one in regards to this discussion about lines and perspective, and also the
space around the subject, which I think is really important. I used to love his
palette, and in retrospect it was probably not only because it felt ‘moody’ and
his own, but also because he was using paint as a drawing medium, as one would
use charcoal or carbon. There is definitely something iconic about his subjects
that mine share: they are often singular and centered on the canvas, and when
they are in bronze, the figures point decidedly in a direction. Recently, I’m
referencing his walking man imagery in a painting, which is on a light grey
ground, much softer than any he would have used. I like how his work is simultaneously
static and active, and at once dead and alive. I invariably think of him when I
paint with greys, as well as elephants and black and white photography. </span></span></div>
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<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: Drawing is
really emphasized in your work. In some ways, the work really is about drawing.
Line is often the protagonist, and there is a very simple gesture or exertion
in space, which becomes more complicated with time.</span></span></div>
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<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>: I love that
you use the word protagonist; it’s the actor on the stage. Line quality has
always been important to me. In Frans Hal's paintings, he is drawing with a
paint brush, not disguising the marks by ‘massaging’ them. If there's one thing
I dislike, it's massaged paint, although some people can get away with it. What
I want to say is that even while using oil paint, there is drawing, with the
intention to exposure of the hand. The line in my work on the panels should
show the act of defining a living moment in actual time. When it doesn’t, I
tend to redo the painting, unless I realize it too late. </span></span></div>
<div class="FreeFormA">
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB6zIzdc7OXevr9p8y4aa2lE28G4M7tUY2lYmQKcBU3V-7mUn_tz7RqCKRSrsLAs_fo_JSOUG8ZdGFhBCFN7NLgAgXFM_USJnaWjBWIN03CoKsyXUB9LYeUrUR6qapndM6rrPumTRSmiA/s1600/KateShepherd3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhB6zIzdc7OXevr9p8y4aa2lE28G4M7tUY2lYmQKcBU3V-7mUn_tz7RqCKRSrsLAs_fo_JSOUG8ZdGFhBCFN7NLgAgXFM_USJnaWjBWIN03CoKsyXUB9LYeUrUR6qapndM6rrPumTRSmiA/s1600/KateShepherd3.jpg" height="320" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Kate Shepherd's work as included in <i>Coloring </i>at Atlanta Contemporary Art Center, January 10-March 8, 2014.</span></span></td></tr>
</tbody></table>
<div class="FreeFormA">
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<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH: </b>Does drawing
play the same role in the works at the Contemporary?</span></span></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
<b>KS</b>: In the sense of nature, yes, but
not at all in regards to my making them and exposing the hand. The crack pieces
that I included in <i>Coloring</i> were made
as faithfully as possible to what has naturally occurred on those Central Park
walkways. I wanted to show what took place over time—the organic geometry,
let’s say, of decaying asphalt. However, they cannot be paintings because they
do not “go back,” so they had to be works that were more object-like. The wood
grain is the “voice” that brings life to the work, as well as the lifting and
shifting surfaces of the individual pieces. In these “puzzles,” which I often
call them, space is created on the surface because the wood pieces can get
jostled and the silver stain catches the light unevenly. This is something that
suits the actual subject matter and could never happen in a painting.</span></span></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: #0000fe;"><br />
</span></b><b>RH:</b><span style="color: #0000fe;"> </span>It is
interesting that you love the directness of drawing, even as paintings, and
that the computer plays such a roll in the preliminary work. And you so often
work with print-making, and recently laser cutting, which could be a bit more
distant.<b> </b><span style="color: #0000fe;"></span></span></span></div>
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<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>: Funny to have
just learned about Alberto Burri who also made work that showed natural
cracking but did it in a “Modernist” way, in that the drying is in the actual
clay, as are Richard Long’s. Mine are faithful but obviously not the original
substance. So yes, immediacy and ‘devices of remove’ have been interesting. I
have always been drawn to some device to create that interplay. Maybe it’s
about creating artwork by way of a found object of your own making. For years,
I’ve drawn through a pigmented paper so I don’t see the image until after; the
paintings are worked out in a computer program I barely know how to use; and
the crack pieces have their own process because they are first based upon an
act of nature and then require being translated to a vector drawing. With these
drawings, the trick was to replicate what was happening in the pavement with
just the right level of detail—too much was finicky and too little was not
convincing.</span></span></div>
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<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Also,
the computer allows me to rehash through hundreds of ideas along the way so I
can comb through and reuse old images as though they were in a library. Oddly
enough, I have started to make suites of freehand drawings, leaving the
digital interface behind. But I still do those blind, not looking until I'm
mostly done. Again, the remove is crucial; I am a scavenger of sorts and
rely on recognizing as much as making. </span></span></div>
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<br /></div>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: I’m really
interested in the triangular prints you've been making. There is something of
stained-glass windows in them…not just the shape, but the light they 'emit' or
'filter' is really beautiful.<b> </b></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNTItWprFzcnlwJf81tiB-TeTdiP4NJFMw4pHk6iXeQA_OFSOed2ZddcJDKO_pdAhx4AOrQa8UjUgaWWJtc1w1NxB8nFvRx5VNw4kXRMPQBjYs7VppNyEAEOeBPuIU88UIiianSGPVDoQ/s1600/triangle+pinks+dark.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNTItWprFzcnlwJf81tiB-TeTdiP4NJFMw4pHk6iXeQA_OFSOed2ZddcJDKO_pdAhx4AOrQa8UjUgaWWJtc1w1NxB8nFvRx5VNw4kXRMPQBjYs7VppNyEAEOeBPuIU88UIiianSGPVDoQ/s1600/triangle+pinks+dark.jpg" height="640" width="402" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Kate Shepherd, <i>Triangle Study_20</i>, 2013, cut screenprints, </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">51 x 21.5 inches, </span></span>courtesy the artist and Galerie Lelong, New York.</span></span></td></tr>
</tbody></table>
<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br />
<b>KS</b>: Gosh, before the end of my time,
I would love to actually do a stained glass window. I saw some successful
contemporary ones in France, at Notre-Dame de Senanque. The triangle studies do
seem to emit light now that you mention it; they’re made with cut screen prints
of an overlapping dot pattern I designed to creates a lot of variation and
disruption. This exercise is the only one where I indulge in
"rendering"—moving from one value and chroma to another in a way that
suggests the movement of light. To underscore the painterly aspect, I
have been making them larger (52 inches tall) rather than the small size my
drawings tend to be<i>.</i>
</span></span></div>
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<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RH</b>: I know you
grew up in New York. I have such romantic ideas about what the city must have
been like then. And you've been working as an artist here since the early 90s.
There seems to be so much recent conversation about how the city is changing,
and its place in the new art landscape. Can you talk a bit about your
experience here, either as an artist or a native New Yorker?</span></span></div>
<div class="FreeFormA">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5gL0PBdhvULyY05TOyJ-4D2sTteO-pJnjNNEDpI65UJyMA9hMhyDSj6nAnVHtYHzvWGRrhiOw26Nli33mLZjFLAE8PfEEnSdWMNeIgqGGYTPs5-LesE3pcA_AJE_je7ZChBmzrYseufI/s1600/Tall_Boy_Central_Park_2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5gL0PBdhvULyY05TOyJ-4D2sTteO-pJnjNNEDpI65UJyMA9hMhyDSj6nAnVHtYHzvWGRrhiOw26Nli33mLZjFLAE8PfEEnSdWMNeIgqGGYTPs5-LesE3pcA_AJE_je7ZChBmzrYseufI/s1600/Tall_Boy_Central_Park_2013.jpg" height="640" width="394" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Kate Shepherd, <i>Tall Boy, Central Park</i>, 2013, laser cut plywood, stained, 29.5 x 17.5 inches, courtesy the artist and Galerie Lelong, New York.</span></span></td></tr>
</tbody></table>
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<div class="FreeFormA">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KS</b>: Well, I felt
good about using Central Park as a “subject” for the wood pieces; it felt like
an homage. Regarding being a native New Yorker, I’m inherently non-rebellious.
Once you’ve grown up with eccentric parents who have given you a long lea<b>s</b>h, where are you going to go? The
aspect I love most about New Yorkers—at least the way I was raised and have
tried to instill in my son—is an awareness of others; our building was like a
commune and my mother was and is still making soup for someone. The flipside to
this is that I am very aware of other peoples’ opinions and they tend to matter
too much to me. New York has changed, yes. It has fewer reminders of post-WWII
commercial life: the smoking man billboard in Times Square, the narrow cheese
shop run by Holocaust survivors, the original Henri Bendel, the New York
accents. Wait…I almost forgot-the original MoMA and the gum machines on the
subway platforms.<br /></span></span>
<br />
<hr />
<i><span style="font-family: Arial,Helvetica,sans-serif;"><b>Ridley Howard</b> was born in Atlanta and is now based in Brooklyn, NY. He received a BFA from the University of Georgia, and an MFA from the School of the Museum of Fine Arts, Boston. He has received awards from the Pollock-Krasner Foundation, the Joan Mitchell Foundation, and the New York Foundation for the Arts. He is represented in New York by <a href="http://koenigandclinton.com/artists/ridley-howard//works/" target="_blank">Koenig & Clinton</a>.</span></i><br />
<hr />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-61979114988790373262014-02-25T13:28:00.002-05:002014-02-25T13:29:26.297-05:00Resource Room Roundtable: Katherine Dirga on Inspiration & Challenges<!--[if gte mso 9]><xml>
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJKPBgyg9Z3WgDEHqGyaLCKhk5gV79U5532sfzRtx1HPU0cXbnA_rFnwqSTsHlPSIeZdlGhX77e7FyeuIfrLObK2YVjHroL3oZQzIkB2qL1iKs3cKHa3hktzLqj0LcCeewkHoFY6c2wEc/s1600/IMG_5293%5B1%5D.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJKPBgyg9Z3WgDEHqGyaLCKhk5gV79U5532sfzRtx1HPU0cXbnA_rFnwqSTsHlPSIeZdlGhX77e7FyeuIfrLObK2YVjHroL3oZQzIkB2qL1iKs3cKHa3hktzLqj0LcCeewkHoFY6c2wEc/s1600/IMG_5293%5B1%5D.JPG" height="480" width="640" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">A recent tour of the exhibitions at Hartsfield-Jackson Atlanta International Airport with Katherine Dirga, Art Program Manager, on left.<b><br /></b></span></span></td></tr>
</tbody></table>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="background: none repeat scroll 0% 0% white;">We're now introducing our <i>Resource Room Roundtable</i> programming on STANDARD MEANS. <i>RRR </i>is a series of six monthly<span class="apple-converted-space"> </span><span class="aqj">Monday</span><span class="apple-converted-space"> </span>morning “power hours” at ACAC for
conversation around cultural production in Atlanta.<span class="apple-converted-space"> </span> </span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="background: none repeat scroll 0% 0% white;"><br />These talks exist for the participants invited as a way of sharing information and
belief systems amongst cultural producers in Atlanta. Each session is held on a Monday morning in the resource room at ACAC around one specific topic or mode of thought, comprising 10-12 contributors from varying fields
and presenting platforms to provide a range of perspectives.</span></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">As we're hosting the inaugural <span style="background: none repeat scroll 0% 0% white;"><i><a href="http://thecontemporary.org/programming/9-50-summit/" target="_blank">9/50: A Southeast Arts Presenters Summit</a> </i>this June 20-22, 2014, the <i>RRR </i>series serves as the lead up for developing
connections between spaces and people within our larger region.</span>
<span style="background: none repeat scroll 0% 0% white;">
</span><b><br /></b>SESSION ONE, held on Dec 16, 2013, focused on <b>Inspiration & Challenges. </b>"What is<span class="apple-converted-space"> </span>inspiring your programs
today, and is this a change from past concerns?"<br /><br /><b>Katherine Dirga, Art Program Manager at Hartsfield-Jackson Atlanta International Airport</b>, weighed in on the topic with the following responses:</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Rachel Reese</b>: How do you serve those most “closest” to you most deeply? And, is
“closeness” not necessarily determined by geography, but perhaps a mentality?</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><div class="logo-subtitle" id="yui_3_10_1_1_1393278871498_316">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://emergeatl.com/" target="_blank"><i>E-merge</i></a>, Contemporary Atlanta Artists at Hartsfield-Jackson Atlanta International Airport, on view through May 2014, curated by Hope Cohn.</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Katherine Dirga</b>: I guess "closest" for our purposes
at the Airport would be traveling Atlantans, followed by the rest of the
traveling public. I think we have a very direct relationship with those we
serve. What we produce is theirs to consume in an immediate way, without it
being requested or sought out. Sometimes it’s not appreciated, either! And then
we get to hear from our passengers which is always nice… </span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RR</b>: Where do you find balance between accessibility and exclusivity?</span></span></div>
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</span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /><b>KD</b>: As a Public Art program, we are
all about accessibility, and exclusivity is the big challenge presented by the
Airport environment. We try to balance it as best we can with outreach, but
would like to do more. In one sense, there is huge accessibility to the
artworks, because of the amount of passengers and employees at the Airport.
However, we’d like to be able to share the works with more Atlantans and have
them feel a sense of ownership. </span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><br />
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RR</b>: What is your gap or disconnect and how are you bridging the gap?</span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><br />
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /><b>KD</b>: Accessibility is our gap, and
we’re trying to bridge it with web-based applications so the world outside the
Security Checkpoint can experience the Public Art Program, which for Atlantans,
does belong to them in a very real way. </span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBB3KkCXH4v778VAsd18WMhbjehL84-c1Kb6Mefc2tGQrFsXrGDXAB6ndqLJbo0_azZyvo1KusY8IvC1tkvfaeWv0hN5D6iObWmZZjOkOYfgMH4dBciNOeiHCkRsNMBwDvcIG_W1LnwsM/s1600/IMG_5306%255B1%255D.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBB3KkCXH4v778VAsd18WMhbjehL84-c1Kb6Mefc2tGQrFsXrGDXAB6ndqLJbo0_azZyvo1KusY8IvC1tkvfaeWv0hN5D6iObWmZZjOkOYfgMH4dBciNOeiHCkRsNMBwDvcIG_W1LnwsM/s1600/IMG_5306%255B1%255D.JPG" height="480" width="640" /></a></td></tr>
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</xml><![endif]--><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>Veneers</i> by local artist Amy
Landesberg, an artwork functioning as a working security wall, and connecting
Concourse E and Concourse F.</span></span><!--[if gte mso 9]><xml>
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<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><br />
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RR</b>: Do you feel you have the ability to be agile given your
organizational structure? And how important is it to be agile and responsive to
change?</span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><br />
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KD</b>: Well, City government is often
slow moving by design, to preserve transparency. So agility in response to
outer world change is not really a focus for the Airport Art Program. We often
have to be agile to work within the Airport environment, but I think you’re
asking a different question.
For other arts
organizations, I would say it’s important to be agile in order to survive a changing
environment, but you can’t bargain away your entire ‘brand’ or your reason for
being just to follow what appears to be a trend or even to stay relevant.
Perceived relevancy comes and goes—in fashion, art, literature, music,
all culture. There has to be balance between ability to change and the integrity
of the mission. </span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBj1z-SgASEyHlFegCMCJ39fF_PCtqQutu6ENVEl4xiYw5s0PUuVhyBhyphenhyphenFmmNpdRHirswXIKjmIuCtvhTQ_abBCWKbZCRsLqLoRpywDCMe0QMJdSmVjPRd1TjZaTShWQS2vEy-0ftwPm0/s1600/IMG_5303%255B1%255D.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBj1z-SgASEyHlFegCMCJ39fF_PCtqQutu6ENVEl4xiYw5s0PUuVhyBhyphenhyphenFmmNpdRHirswXIKjmIuCtvhTQ_abBCWKbZCRsLqLoRpywDCMe0QMJdSmVjPRd1TjZaTShWQS2vEy-0ftwPm0/s1600/IMG_5303%255B1%255D.JPG" height="480" width="640" /></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><br />
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>RR</b>: What does it mean to be “comfortable” with Atlanta? How would
that manifest itself?</span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><br />
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>KD</b>: I think it means beginning the
creative process without siting it in the context of another place, time, or
movement. This would manifest as Atlanta finally having and conveying a sense
of itself, a sense of place. Atlanta as a city would feel wholly
original—there would not be a sense of cultural déjà vu. At the same time, I
think it’s a bit difficult to accomplish this without some serious arts advocacy
at the top, and the right kind of advocacy. There is a lot of creative movement
at the small and mid-level organizational tier, but when you start thinking
about who could make some big things happen for Atlanta— like…turn the
Underground into a thriving live-work artist hive; really enforce that 1.5% for
public art and then actually allow a curatorial team to implement it; or
corporations proudly sponsoring annual artist/playwright/choreography
residencies—when you start to think about how that would happen, it’s really a
partnership between City government and enlightened corporate leaders.
There is a lot of momentum right now, but it seems the Atlanta arts
community’s biggest challenge is meaningful access to that tier of people whose
support for something makes it a done deal. <br /><br /></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-8541671549444030166.post-67004315541960119992014-02-20T11:13:00.000-05:002014-02-20T11:13:14.933-05:00IN | TURN: David Maisel's Strip Mines<!--[if !mso]>
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<![endif]--><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span><b><i>IN |TURN</i> </b>is the ACAC intern column on STANDARD MEANS</span>:</span></span><span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span><br />
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<br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;">I recently read an article in <i>Cabinet </i>magazine titled,
“Infinite Exchange” [<a href="http://www.cabinetmagazine.org/issues/50/" target="_blank">Issue 50, Summer 2013</a>]. In this article,
writer Geoff Manaugh discusses the work of photographer David Maisel, particularly his <a href="http://davidmaisel.com/works/picture_2009.asp?cat=min_ame&tl=The%20Mining%20Project:%20American%20Mine" target="_blank"><i>The Mining Project: American Mine</i></a> series. David
Maisel photographs gold strip mine sites in Arizona, Nevada, New Mexico, and
Montana. </span></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"><br /></span></span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;">His </span></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"><i>American Mine</i> </span></span></span>series focuses on the mountains in
Carlin, Nevada. Carlin is a particularly infamous site because it was
the place where strip mining was founded in 1962. These mines are called open
pit mines because they follow the trend called the “Carlin Trend.” These sites
may also be referred to as “Carlin-type bodies.” </span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXDUl_P81fU4ykhRkI-nth9Qmp8cxnuP2hy8OGkPfT0reicdpQ_UGPvEGaGOi0Nh46L4SVX1xQmafLDREXZV_kv_-zO3OmIRp_JwS_6GKdbsm7WbMJ18loXspp2-uh4YiXbJpqyxW7zX0/s1600/1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXDUl_P81fU4ykhRkI-nth9Qmp8cxnuP2hy8OGkPfT0reicdpQ_UGPvEGaGOi0Nh46L4SVX1xQmafLDREXZV_kv_-zO3OmIRp_JwS_6GKdbsm7WbMJ18loXspp2-uh4YiXbJpqyxW7zX0/s1600/1.jpg" height="640" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #615d57;"><span style="font-size: x-small;">David Maisel, <i>American Mine (Carlin,
NV 2)</i>, 2007, image <i><a href="http://davidmaisel.com/works/picture_2009.asp?cat=min_ame&tl=The%20Mining%20Project:%20American%20Mine" target="_blank">via</a>. </i></span></span></span></span></td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEbHu86alV0c9rGh6FBV_PxE-89B2jJpnDLJYx6W1goxM0PgzF3En4PO4p9ADst-2S-B-74pYBjdR9x088IPjbiXMFmG0a4nJVwSJpjAtjzQSzTG9CSyDFV6M37OQSxVa8OmPTnrEX1gs/s1600/2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEbHu86alV0c9rGh6FBV_PxE-89B2jJpnDLJYx6W1goxM0PgzF3En4PO4p9ADst-2S-B-74pYBjdR9x088IPjbiXMFmG0a4nJVwSJpjAtjzQSzTG9CSyDFV6M37OQSxVa8OmPTnrEX1gs/s1600/2.jpg" height="640" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #615d57;"><span style="font-size: x-small;">David Maisel, <i>American Mine (Carlin,
NV 14)</i>, 2007, image <i><a href="http://davidmaisel.com/works/picture_2009.asp?cat=min_ame&tl=The%20Mining%20Project:%20American%20Mine" target="_blank">via</a>. </i></span></span></span></span></td></tr>
</tbody></table>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #615d57;">
<br />
</span><span style="line-height: 115%;"></span></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;">When first looking at Maisel’s photographs, one can see
peculiar, otherworldly landscapes that are quite undefined. The scene depicts
different colors that man has ground out in the geometric ins and outs of the
earth. What the viewer does not see though is that these sites were, in fact,
once mountains. While these photographs may seem visually pleasing, they do not
depict the side effects of these “Carlin-Type bodies,” or what strip mining
does to the environment. </span></span></span><br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;">This mine in particular was the source of devastating
mercury discharges, caused by the earth’s ore being heated to extract gold;
the formations of acid rain because of the exposure of sulfide minerals to the
water and rain; and, the formation of acid rain caused by toxins that eat away
the Earth’s surface.</span></span></span></div>
<div class="MsoNormal">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7lXm0FSmnRtSlw-KItKCsQE-FDTbDNdRa8p2i4LZf4OPImPIaaic9_nGujTvAxMux5ly1N6pylMP4vIHmxHR_WD5_yaRD4DAGh6JLyI4yfsSxmkPRnFAA0WJUfff60QkhUmGDEZcKPFA/s1600/3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7lXm0FSmnRtSlw-KItKCsQE-FDTbDNdRa8p2i4LZf4OPImPIaaic9_nGujTvAxMux5ly1N6pylMP4vIHmxHR_WD5_yaRD4DAGh6JLyI4yfsSxmkPRnFAA0WJUfff60QkhUmGDEZcKPFA/s1600/3.jpg" height="640" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #615d57;"><span style="font-size: x-small;">David Maisel, <i>American Mine (Carlin,
NV 6)</i>, 2007, image <i><a href="http://davidmaisel.com/works/picture_2009.asp?cat=min_ame&tl=The%20Mining%20Project:%20American%20Mine" target="_blank">via</a>. </i></span></span></span></span></td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"> </span></span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;">David Maisel’s work really hit home for me, as an artist
and as an individual, because I was born and raised in southern West Virginia
where strip mining is prevalent. Strip
mines in WV are used to extract coal, which is ironically called “black gold.” <br /><br />One particular strip mining method used is called “mountain top removal,” where
mountains are literally leveled to extract the coal. I have witnessed firsthand
the devastating side effects of surface mining and I have created artwork addressing
the issue. <br /><br />Just recently in the news, West Virginia’s water source in the
central part of the state was polluted by toxic chemicals used in the cleaning
process of coal at strip mine sites. Thousands of residents, in nine different
counties, were unable to use their tap water for an extended period of time.
The major question is, “Why nothing is being done about it?”</span></span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;">That is why I think Maisel’s images are so intriguing. They
show the uniqueness of the mined surface without providing the story behind it.
It takes the viewer time to figure out what the image portrays and even longer
to decipher the photograph’s message.</span></span></span></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="line-height: 115%;"><br /><i>-Kirsten Sadler, ACAC intern</i><br /><br /><i>ACAC subscribes to </i><a href="http://cabinetmagazine.org/" target="_blank">Cabinet </a><i>magazine. You can find current and back issues available in our <a href="http://thecontemporary.org/programming/resource-room" target="_blank">Resource Room</a>.</i></span></span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-58687951685097322112014-02-19T16:58:00.004-05:002014-02-19T16:59:50.768-05:00Reading List: Bill Adams<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjloW0H69pWUaG2Ub7Y7wCxHudA2IIPWImloBb5oci445leqEgIbCTxDs3IHRfPuDyZ3quttNRQbSewsNAi7cAPc7l59hslflb9Kj5oQVUygSpOGVl8xYC0d2874WL7ksyjM3bsoPFxVYs/s1600/Adams_McCracken.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjloW0H69pWUaG2Ub7Y7wCxHudA2IIPWImloBb5oci445leqEgIbCTxDs3IHRfPuDyZ3quttNRQbSewsNAi7cAPc7l59hslflb9Kj5oQVUygSpOGVl8xYC0d2874WL7ksyjM3bsoPFxVYs/s1600/Adams_McCracken.jpg" height="480" width="640" /></a></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-small;"><span style="font-family: "Arial","sans-serif";"> </span></span>
</span></span><br />
<div class="MsoNormal" style="text-align: left;">
<span style="font-size: x-small;"><span style="font-family: "Arial","sans-serif";"></span><span style="font-size: small;"><span style="font-family: "Arial","sans-serif";"><a href="http://www.kerryschuss.com/ba.html" target="_blank"><b>Bill Adams</b></a> is an exhibiting artist in our <a href="http://thecontemporary.org/exhibitions/coloring/" target="_blank"><b><i>Coloring </i></b></a>exhibition. His six </span><span style="font-family: "Arial","sans-serif";">current reads and favorites:</span></span></span></div>
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I
just finished reading the complete works of Dona Tartt, which
consist of three lengthy novels. The latest published this year is <a href="http://www.nytimes.com/2013/12/01/nyregion/a-look-at-the-new-york-novel-the-goldfinch-by-donna-tartt.html?_r=0" target="_blank"><i>The Goldfinch</i></a>. </span></span></div>
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<br /></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I
read, and this was <i>a</i> big surprise: <a href="http://www.theguardian.com/books/2013/dec/13/stoner-john-williams-julian-barnes" target="_blank"><i>STONER</i></a>. A novel written in the late fifties
about a college professor which spans both world wars--an unhappy marriage, a
robust affair, all back-dropped by a small Midwestern college. Stoner has a keen
interest in literature; he is a first class sufferer, a very serious man--and
one of the most unforgettable characters I have come across in a long time. The
author is John Williams.</span></span></div>
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<br /></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.nytimes.com/2013/11/03/books/review/the-circle-by-dave-eggers.html" target="_blank"><i>The Circle</i></a> by Dave Eggers in a nutshell: this novel explores the end of privacy in
the twenty- first century. It is nightmarish and laser sharp. </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I am
an obituary reader. We all read the obit about the great leader, the
brilliant scientist, the famous actor, but what about the lives of the lesser
known unsavory types? I read those too. The <a href="http://www.nytimes.com/2013/12/20/nyregion/al-goldstein-pioneering-pornographer-dies-at-77.html" target="_blank">Al Goldstein obit in the New York Times</a> blew me away. He was the man who
brought the world <i>Screw </i>magazine, which was lurid, to say the least, but his
life and importance in the "lower" culture and the high courts is
incontrovertible. Not a great man, but a weird kind of raunchy innovator. </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I
read an interview with the artist John McCracken in a catalogue called <i><a href="http://www.amazon.com/Early-Sculpture-McCracken-Matthew-Higgs/dp/images/0976913623" target="_blank">Early Sculpture /John McCracken</a></i>. He is interviewed by Mathew Higgs. It is a wide
ranging discussion of early influences and core beliefs, one of which is extra
terrestrials, which, it turns out, has a profound effect on how he sees his work.
Great artist, gifted thinker. </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">I
read a story by <a href="http://en.wikipedia.org/wiki/George_Saunders" target="_blank">George Saunders</a>, from the new collection, all but the title
have stayed with me. All
through the story we hear about lawn ornaments. They are being delivered or the
number of them all kinds of weird information, when they arrive it is shocking. </span></span></div>
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<br /></div>
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<i><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">-Bill</span></span></i></div>
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<br />
<a href="http://thecontemporary.org/exhibitions/coloring/" target="_blank"><span style="font-family: Arial,Helvetica,sans-serif;">Coloring </span></a><i><span style="font-family: Arial,Helvetica,sans-serif;">is on view through Saturday, March 8th. Listen to Bill Adams speak about his work </span></i><span style="font-family: Arial,Helvetica,sans-serif;">Plum Stick</span><i><span style="font-family: Arial,Helvetica,sans-serif;"> <a href="http://thecontemporary.org/assets/17961/Adams.mp3" target="_blank"><b>HERE</b></a>.</span></i></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-55629445410343056162014-02-18T15:40:00.000-05:002014-02-18T17:10:01.858-05:00Studio Artist Focus: In Conversation with Beth Lilly<!--[if gte mso 9]><xml>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkAsT4mRqXAR_H-lmC9Hs-LX7HaIe0viSlS8grdvw4Zr64ECCg7KGb9CM5OKWCCsDx1dnYOIAJ_KbaeNXhKl4ats9O6U_XIXKA0HCnVN7piLlo8lQNPTmCYAxjqT4K2XNf1ru1fshK3y8/s1600/IMG_5288.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkAsT4mRqXAR_H-lmC9Hs-LX7HaIe0viSlS8grdvw4Zr64ECCg7KGb9CM5OKWCCsDx1dnYOIAJ_KbaeNXhKl4ats9O6U_XIXKA0HCnVN7piLlo8lQNPTmCYAxjqT4K2XNf1ru1fshK3y8/s1600/IMG_5288.JPG" height="640" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Beth Lilly in her ACAC studio, February 2014, with dog Old Man Jenkins.<b> </b>Photo: Rachel Reese.<b><br /></b></td></tr>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Rachel Reese:</b> How
long have you been in this studio in the Studio Artist Program?</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>Beth Lilly:</b> Not
very long. I moved in here in July. I still feel like a stranger because I
did some traveling right after I moved in and missed some of the get togethers
and introductions. I’m a new kid on the block! (<i>laughs</i>)</span></span></div>
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<br /></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR:</b> Where was
your studio prior?</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL:</b> I was working
out of my home, which was extremely cramped; I couldn’t spread out and didn’t have
the space to execute projects I wanted to do for quite a while.</span></span></div>
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<br /></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR:</b> Your
background is in film. Tell me about that!</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL:</b> I was in the
radio/TV/film production program at the University of Georgia under the Grady
College of Journalism. I was fortunate to augment my journalism classes with
film classes by Jim Herbert in the art department, screenplay classes with
playwrights, and directing classes in the drama department, so I pieced [my
degree] together. </span></span></div>
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<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpReuvf0hI6yayoialpfcgHuGOjwgfx44qIwQLYfCiJQBMgK3Nx21soVHjAZQ0LS4_KDFuXqk3PeY2w4UnOOyFtN2nhT8FMq1aO19e375LhCp1uT5rHYim0pBMZF-vlH1sCFaSSu9_IXk/s1600/IMG_5281.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpReuvf0hI6yayoialpfcgHuGOjwgfx44qIwQLYfCiJQBMgK3Nx21soVHjAZQ0LS4_KDFuXqk3PeY2w4UnOOyFtN2nhT8FMq1aO19e375LhCp1uT5rHYim0pBMZF-vlH1sCFaSSu9_IXk/s1600/IMG_5281.JPG" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-small;">Beth Lilly in her ACAC studio, February 2014. Photo: Rachel Reese</span><b><br /></b></span></span></td></tr>
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<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR:</b> Did you
practice in the field for a while? How did still photography come into play?</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL:</b> I worked on
one commercial film, <i>Jason Lives: Friday
the 13<sup>th</sup> Part VI</i> [1986]. (<i>laughs</i>)
It was filmed at Hard Labor Creek State Park here in Covington, Georgia. It’s
hilarious! I have an IMDb record. I also wrote and produced radio ads for a
while. But a lot of that was finding my own way.</span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /><br />
Since I already graduated when I discovered photography, I was kind of studying
on my own but reaching out to artists in the fine art tradition and learning
from them, particularly Terry Kennedy, who came out of the GSU Department. So I
applied to do my MFA at Georgia State and moved to Atlanta to do that. </span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR</b>: Let’s start with the <i>Oracle @ WiFi</i> project and move forward
in time to the current <i>LIKE NO TOMORROW</i>
series. How long did you sustain <i>Oracle</i>?</span></span></div>
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<br /></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL:</b> It started in
2006 and went until 2009—I took a break; it could be grueling and I was feeling
burned out—and I was working on putting together a book and finding a
publisher. (And I did find a publisher!) In the process I decided to do the
project for one more year. Then the book came out in 2011-2012. I still produce
commissions from this project, about one every few months.</span></span></div>
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<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMmeh-CYv2zESz3TZ3P86MUW6iWtnnLFULf9xRRerPw1iqNcGVIwWdeYLKn_ML9LUyKpAoQlyk1xVvw2-CGmurXABcEEbLs-OjvS-UpKX8MRdwv3kpyxfjQgzUrXlMgJJvV9l4hqzLTXA/s1600/Color-of-Fury-12.10.06.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMmeh-CYv2zESz3TZ3P86MUW6iWtnnLFULf9xRRerPw1iqNcGVIwWdeYLKn_ML9LUyKpAoQlyk1xVvw2-CGmurXABcEEbLs-OjvS-UpKX8MRdwv3kpyxfjQgzUrXlMgJJvV9l4hqzLTXA/s1600/Color-of-Fury-12.10.06.jpg" height="414" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Beth Lilly, </span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-family: Arial,Helvetica,sans-serif;"><i>Color of Fury</i>, </span>from <i>The Oracle@Wifi</i>, 2012, cellphone photographs on paper, 8 1/2 x 22 inches, courtesy the artist.</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR</b>: Cell phone
photography was expanding really rapidly during that time. Can you speak to
that?</span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL:</b> Finally when
cell phones became capable of a one megabyte capture image I thought, “now
that’s a size you can <i>do</i> something
with.” Having a cell phone camera enabled you to do something that wasn’t
possible before: what really got me excited was that someone could call me from
anywhere in the world—I didn’t have to know them or anything—and I could
instantly take a photograph and send it back to them. This instantaneous-ness
is something I feel is really lacking from [visual] art; you’re never really
connecting with your audience in a live way—not like an actor or musician on
stage where there’s a real give-and-take or combined energy. That’s a feeling I
focused on and wanted to do a project that used that idea. So I needed to find
a reason to hang this on, and it just kind of hit me that “I’ll tell your
fortune!” (<i>laughs</i>)</span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">I really loved talking to people. The best part of the project was that
it attracted people who just wanted their fortune told; they were not attracted
to it being ‘art,’ but it got them involved and engaged in this discussion in
an indirect way. The fun part was interpreting the fortune with them, and
through that I was able to speak with them about art. </span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR:</b> How did people find out about
the project?</span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL:</b> By email word of
mouth. Since I was working at Turner at the time, I knew people all over—New
York, LA, Canada, London—so I threw a wide net out there. Within three months I
was getting calls from people I didn’t know. Some people wanted to remain
anonymous and others didn’t care at all. We’d hang up and I’d take the photos
and email them along, and they had to respond with their question. To make sure
they weren’t changing their question after seeing the images, I asked them to
write down their question before they called me, which also helped them to </span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">be clear in their minds as to
what they were asking</span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">.<br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR:</b> How do you feel this project was
received? It plays a lot with chance and deriving meaning from the arbitrary. </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL:</b></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b> </b></span><span style="font-family: Arial,Helvetica,sans-serif;">It was really well received. The
people who got it, just loved it. And there where some people who mistook it
for actual fortune telling. But its not! It’s art appropriating another
existing system of assigning meaning to images.</span></span>
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">You can always find relationships between text and images.
When there is text in artwork, it will drive the meaning. It doesn’t mean there
is one definitive answer; it is always extremely subjective and relative. Once
someone reads that question, they can’t read the images in any other way and
your mind goes into overdrive trying to formulate the answer.</span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR:</b> I know
perception and memory are a big part of your work. We’re now looking at your <i>every single one of these stories is true</i>
series. Do you think about the construction of false memories? <br /></span></span></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"></span></span></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"></span></span></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVR-SGm_eh9caoYwuFiumsN4LKQ_fLz9bgSTtDRsfskmOgSTAg5Zi1CiTpXhKfXLIYyErSL94gCRZyteymerCRSazh9dWO7PhJBhn4klHLg0BCBAJqTzruHg76d1U3wa4NuuLG0Zps_vc/s1600/Lilly__God.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVR-SGm_eh9caoYwuFiumsN4LKQ_fLz9bgSTtDRsfskmOgSTAg5Zi1CiTpXhKfXLIYyErSL94gCRZyteymerCRSazh9dWO7PhJBhn4klHLg0BCBAJqTzruHg76d1U3wa4NuuLG0Zps_vc/s1600/Lilly__God.jpg" height="390" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Beth Lilly, <i>God</i>, from the </span><span style="font-size: small;"><i>every single one of these stories is true</i>
series, 2010, pigment ink on paper, ink, 14 x 22 inches, courtesy the artist.</span></span></td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
</div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL</b>: It’s
interesting you mention this idea—this series opens with a false memory. But really all memories are "false" memories. We all
have different realities that are subjective and those that exist in your head
are different from the actual event. This series is almost like a film in that
I wrote a script, storyboarded, cast it, the whole shebang. These are true
stories from my life, but this [series] is not meant to function as a memoir. Instead,
I’m taking pictures from my life and using that as a beginning discussion on
memory and perception. How do we construct our reality? There are crossovers
between dreams and reality, and I’m interested in that gray area of “that can’t
be real!” Each story is composed of three images, and as you go through your
mind is trying to make connections. And as you make those [connections], a
reality is created. You can interpret these events and as a viewer you start to
connect the dots and construct “<i>The</i>
Story.” I hope one realizes that is how we construct our own memories. And, in
that case, you can control the story of your life—you can make it positive, or you
can make it negative. </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR</b>: Does your
perception of a body of work change while you are working on it? And, knowing
that most of your photographic work is series- or project-based, do you put an
end point to them?</span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL</b>: Oh, yes. It’s
hard to finish a work because my ideas are shifting and I’m not sure when
something is complete. I had a hard time ending the <i>Oracle</i>, because it was fun. But <i>every
single one of these stories is true </i>had a definite timeline from the
beginning. And <i>LIKE NO TOMORROW</i> is
just beginning.</span></span></div>
<div class="MsoNormal">
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcH0xjsrUVBuMR458uFdRWKdVpsivji4zmbTuLwdXSd8JxOVK2HQMwsyi6iOhYdSUyl5xVU4Scy581wPyZ3OJf1uAGkVvLr48VNuPOMMUpCjx-yNeNH_WkIhRsT2FywUoQ2UaNzeTJsH4/s1600/Lilly__Tornadoes.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcH0xjsrUVBuMR458uFdRWKdVpsivji4zmbTuLwdXSd8JxOVK2HQMwsyi6iOhYdSUyl5xVU4Scy581wPyZ3OJf1uAGkVvLr48VNuPOMMUpCjx-yNeNH_WkIhRsT2FywUoQ2UaNzeTJsH4/s1600/Lilly__Tornadoes.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Beth Lilly, <i>Tornadoes</i>, from the <i>LIKE NO TOMORROW</i> series, 2014, pigment ink on paper, 16 x 20 inches, courtesy the artist.</span></span></td></tr>
</tbody></table>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR</b>: Yes, let’s
talk about the <i>LIKE NO TOMORROW</i>
series.</span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><br /></span></span>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL</b>: This series comes from “end of
the world” discussions, movies, media. I was reading an article that stated 30%
of Americans make preparations for the end of the world—30% of us are preppers.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR</b>: Are you a
prepper?</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL</b>: Yes, I am. I’ve
given thought to an escape route out of the city.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR</b>: Very timely!</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL</b>: I have a day
bag with a flashlight, some batteries, fresh water supply, a water filter and
pump. But I kind of go back and forth. At one point I thought, “If shit hits
the fan, I want to be right there with people struggling and figuring it out
together.” </span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">But most people’s preparations are buying guns and
ammunition. If climate change brings an end to society, people are more willing
to bring an end to friends or neighbors than change their lifestyle now to
prevent a calamity?</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">I organized the <a href="http://atlantaphotographygroup.org/gallery/2013/concepts.shtml" target="_blank"><i>Post-Apocalyptic Photo Challenge</i></a> exhibition and this has been obsessing my thoughts for a
while now. If the climate changes, it may get hot; the oceans are going to
rise. Well people may immediately think, “No biggie; I don’t live near the
ocean.” But there are so many other consequences, a chain of events that will
happen and affect you and me. One of the biggest is that the weather,
everywhere, changes—tornadoes will increase dramatically. The biggest weather
disasters have all occurred within the last few decades and their damages have
been in the billions of dollars. Weather and storms alone will bankrupt
countries. Cities will not be able to repair; utilities will go out of
business. It can be a cascading effect.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>RR</b>: So your end-of-world
scenario is that climate change will lead to weather events that will build and
collapse societies. And do you watch a lot of post-apocalyptic films?</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b>BL</b>: Yes, that’s what
I believe. No, I actually don’t watch a lot of those films but read science journals
and other research and I have vivid dreams, as I’ve mentioned. There is a book by Jared Diamond called <a href="http://www.amazon.com/Collapse-Societies-Succeed-Revised-Edition/dp/0143117009" target="_blank"><i>Collapse: How Societies Choose to Fail or Succeed</i></a>. He traces why
these different civilizations have historically collapsed: Easter Island, the
Myans, for example. I just starting laughing and thinking, “Good God—they all
end in cannibalism!” (<i>laughs</i>)</span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-14023002894098636782014-02-11T13:22:00.000-05:002014-02-11T13:23:35.099-05:00News from the Studios: February 2014<div class="separator" style="clear: both; text-align: center;">
</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Dc8wheYLdqGGIBRsGzIiQYIByL_f5OYu5fpZLqiyFDmlMDwgrrBO0ha3ltL3mJUFqaw0EUA-2yMwX15c0aoUvVMQ3Ap1lD3iRoXNRjHp1v4ReK2uo7XoxaCgx7eFPKM3lxW3suX30_E/s1600/IMG_5281%5B1%5D.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Dc8wheYLdqGGIBRsGzIiQYIByL_f5OYu5fpZLqiyFDmlMDwgrrBO0ha3ltL3mJUFqaw0EUA-2yMwX15c0aoUvVMQ3Ap1lD3iRoXNRjHp1v4ReK2uo7XoxaCgx7eFPKM3lxW3suX30_E/s1600/IMG_5281%5B1%5D.JPG" height="480" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Studio Artist Beth Lilly. Lilly is our February 2014 Studio Artist Focus.</span></td></tr>
</tbody></table>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Fourteen of Atlanta's most dynamic artists have spaces in the <b><a href="http://thecontemporary.org/studio-artists/">Studio Artist Program</a></b>
here at ACAC. They are active professionals who show regularly around
Atlanta, in the region, and nationwide; teach at prestigious schools;
and help energize the local art scene and beyond. We like sharing their
news with you each month:</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>FEBRUARY 2014</b></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Paul Stephen Benjamin</b>'s work is currently included in the <a href="http://thecontemporary.org/exhibitions/coloring/" target="_blank"><i>Coloring </i></a>exhibition at ACAC, on view through March 8th. Benjamin's installation, <span class="caps">entitled </span><i><span class="caps">ABCKL</span></i><i><span class="caps"><i><sup>x</sup></i>, </span></i><span class="caps">2013</span><i><span class="caps">, </span></i><span class="caps">includes 20 </span>TV monitors, <span class="caps">DVD</span> players, cables, extension cords, and power strips<b>.</b><b> </b>Listen to Benjamin speak with WABE this week about the installation <a href="http://wabe.org/post/bringing-coloring-contemporary" target="_blank"><b>here </b></a>and a clip about his use of the color "black" <a href="http://thecontemporary.org/assets/17971/Benjamin.mp3" target="_blank"><b>here</b></a>. </span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">Benjamin will participate in an <a href="http://thecontemporary.org/programming/2014-winter-programming/artist-and-curator-tour/" target="_blank">artist and curator tour</a> from 11:00am-12:00pm on Saturday February 15, 2014 at ACAC.</span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><br /></b></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Stephanie
Dowda</b>'s solo exhibition, <i>Topophilia</i>, will open at Get This! Gallery
on March 15th. She recently attended the <a href="http://laartbookfair.net/" target="_blank">LA Art Book Fair</a> for the release of Cabin Time 5 based on the 2013 remotely located
residency in Desolation Canyon. See her top picks from the Fair on <b><a href="http://atlantacontemporary.blogspot.com/2014/02/los-angeles-art-book-fair-stephanie.html" target="_blank">STANDARD MEANS.</a><br /> </b></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Bojana Ginn</b>'s paper, "Can Art Stress?"
is selected to be published in the winter 2014 edition of <a href="http://scholarship.claremont.edu/steam/" target="_blank">The STEAM Journal</a>. The STEAM (Science, Technology, Engineering, Arts and Mathematics)
Journal is a transdisciplinary, theory-practice, peer-reviewed, open access,
online journal with a focus on the intersection of STEM and Art.</span></span></span></span><br />
<br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Beth Lilly</b> is our February Studio Artist Focus artist at ACAC. Find selections from her <i>LIKE NO TOMORROW</i> series installed in ACAC and check back for the interview with Lilly next week here on STANDARD MEANS! </span></span></span></span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidC9MnW0zAEZY6dJy8hpi2d2ct1HyKGEdgbsswt5S5bfu8njjVbAu1Xdk3zIUQ91oFTDac9RkBOaDQNXpKcJUWrbnNjWNxlOEN0W-zDdVV41Q1ZzDtGNImwBtZttHKhwNnDgPBM_g2akc/s1600/Lilly__Tornadoes.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidC9MnW0zAEZY6dJy8hpi2d2ct1HyKGEdgbsswt5S5bfu8njjVbAu1Xdk3zIUQ91oFTDac9RkBOaDQNXpKcJUWrbnNjWNxlOEN0W-zDdVV41Q1ZzDtGNImwBtZttHKhwNnDgPBM_g2akc/s1600/Lilly__Tornadoes.jpg" height="426" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Beth Lilly, <i>Tornadoes</i>, from the <i>LIKE NO TOMORROW</i> series, 2014, pigment ink on paper, 16 x 20 inches, courtesy the artist.</span></td></tr>
</tbody></table>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span> <b>Michi Meko</b> participates
in <a href="http://www.mocaga.org/SCORE.htm" target="_blank"><i>SCORE: Artists in Overtime</i></a> curated by Hope Cohn at MODA.<br />
The exhibition is on view through Mar 29, 2014.</span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Jiha Moon</b> has two exhibitions currently on view: <a href="http://ryanleegallery.com/exhibitions/" target="_blank"><i>Jiha Moon: Foreign Love Too</i></a> at Ryan Lee Gallery in NYC and on view through March 8, 2014, and <a href="http://weatherspoon.uncg.edu/exhibitions/show/?title=jiha-moon-falk-visiting-artist" target="_blank">Foreign Love: Jiha Moon</a> at the Weatherspoon Museum on view through April 13, 2014. She was recently interviewed by BLOUIN ARTINFO <a href="http://www.blouinartinfo.com/news/story/1007075/23-questions-for-painter-and-knick-knack-collector-jiha-moon" target="_blank"><b>here</b></a>. </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Seana
Reilly</b> has work in <i>Nocturnal Labyrinth</i> at <a href="http://miyakoyoshinaga.com/">Miyako Yoshinaga
Gallery</a> in Chelsea and on view through February 22, 2014. She also has work hanging in Hartsfield
Jackson International Airport T Terminal in <i><a href="http://emergeatl.com/">E-MERGE</a>, </i>which has been extended
through April. </span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><br /></span></span>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Nathan Sharratt</b> is currently included in the <a href="http://thecontemporary.org/exhibitions/in-translation/" target="_blank"><i>In Translation</i></a>
exhibition at ACAC, on view through March 8th. Sharratt will
continually modify his work throughout the duration of the exhibition,
and you can listen to him speak about this ongoing "studio-as-lab"
process <a href="http://thecontemporary.org/assets/17951/Sharratt.mp3" target="_blank"><b>here</b></a>. </span></span></div>
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<![endif]--><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Marcia Vaitsman</b> and <a href="http://www.arts.gsu.edu/cencia.html" target="_blank">CENCIA</a> invite the
curator <a href="http://site.videobrasil.org.br/quem-somos/solange-farkas" target="_blank">Solange Farkas</a>, director of <a href="http://site.videobrasil.org.br/" target="_blank">Videobrasil</a>, to Atlanta.
Vaitsman's video <a href="http://www.marciavaitsman.com/p7.html" target="_blank">The
Elephant Cage</a>,
Japan 2004 is part of Farka's program of 30 years of Videobrasil and will be
shown on Feb 21, 7 pm, at Centennial Hall, 100 Auburn Ave. <i>Impossible
Bodies</i> is featured on <a href="http://theamericanreader.com/lampedusa-beach/" target="_blank">The American Reader</a>.</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-65890539263253486642014-02-07T14:40:00.001-05:002014-02-07T14:52:27.140-05:00Los Angeles Art Book Fair: Stephanie Dowda's Picks<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwCLgU4ajXMyP8jqQecclZUv_vPgLJbRXFrsAWxf8cfk85p9BaQo1ZbQIvTBoy1ZeaFOt2an6i5XeLAA7a9mRbln_S4XqOxvz_AVg7gwweFQzg_yFo1LBQL1RY1hi_4_HneOoeXcdoWw8/s1600/LAABF.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwCLgU4ajXMyP8jqQecclZUv_vPgLJbRXFrsAWxf8cfk85p9BaQo1ZbQIvTBoy1ZeaFOt2an6i5XeLAA7a9mRbln_S4XqOxvz_AVg7gwweFQzg_yFo1LBQL1RY1hi_4_HneOoeXcdoWw8/s1600/LAABF.jpg" height="424" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: black; font-family: verdana,arial;"><span style="font-size: x-small;"><span style="font-family: Arial,Helvetica,sans-serif;">Opening Night at the LA Art Book Fair 2014. Photo ©Vaan</span></span><span style="color: black; font-family: verdana,arial; font-size: x-small;">
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> </span></span><span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">Printed Matter presented the <a href="http://laartbookfair.net/" target="_blank">LA Art Book Fair 2014</a>, from Thursday January 31-February 2nd at The Geffen Contemporary MOCA in Los Angeles. </span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><a href="http://cargocollective.com/thedowda" target="_blank">Stephanie Dowda</a>, an artist in our <a href="http://thecontemporary.org/studio-artists/" target="_blank">Studio Artist Program</a> and represented by <a href="http://getthisgallery.com/index.php/exhibitions/future/" target="_blank">Get This! Gallery</a> in Atlanta, visited the fair and sent back her favorites.</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br />Here are Stephanie Dowda's picks:</span></div>
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<a href="https://lh5.googleusercontent.com/cHJJn6PUS48N-hUNCn9OJFVvOMpi8LD0o52AAPvjgygkDkxpMcgQSFcxd8e593UKmbrJ5TsNLiOHfND530uMXMVCX9UA9lquJi9zDckMATJ5gUcoC67z3zq45Q" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="468px;" src="https://lh5.googleusercontent.com/cHJJn6PUS48N-hUNCn9OJFVvOMpi8LD0o52AAPvjgygkDkxpMcgQSFcxd8e593UKmbrJ5TsNLiOHfND530uMXMVCX9UA9lquJi9zDckMATJ5gUcoC67z3zq45Q" style="border: 0px solid transparent;" width="624px;" /></a></td></tr>
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://issue-press.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Issue Press</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">+ </span><a href="http://issue-press.com/item/cabin-time-green-river" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Cabin Time Green River</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> // Hot diggity dog.</span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"></span><br /><span style="font-family: Arial,Helvetica,sans-serif;"><img height="416px;" src="https://lh4.googleusercontent.com/IGclR9ZdfTEV-hDfJTlns1Ls9acoMkAV7247eBv81x1UVmVJaiQEiRe_krYKj0UwVh7pDFez6e8RqQL8stBO5fihcohrUHYM0Ea5aeWsng_2Z97NBxAaYfDcUQ" style="border: 0px solid transparent;" width="624px;" /></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://aintbadmagazine.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Ain’t Bad</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">+ magazine// Savannah Georgia - oh hey!</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="468px;" src="https://lh3.googleusercontent.com/czql8ZOIb4M0qdUGdixTLZU2O95rSeI0LnyjoKcrm0KFiT8c18OIQH__Vm8rd89xAGKYvsFt3mey2yAziUiKqp5mOipAzJ2cUa_KM-okozSNH4s230gI3yolIg" style="border: 0px solid transparent;" width="624px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://emptystretch.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Empty Stretch</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> + </span><a href="http://emptystretch.storenvy.com/products/5033899-dear-old-man" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Dear Old Man of the Edgelands</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> by Carson Davis Brown & Mary Rothlisberger// soul songs from the west</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="468px;" src="https://lh6.googleusercontent.com/9-M_f4CEQ7h9cYVYYJYXcTeKJHJY6goNRPgU3Vps1j7N3pU6__447tK4ULN58ymVBXGTSIn10__bF4tR6QGi_9-PGphD_Kasj1zXVMsvVDK16Vo2Js1SEXZ0ow" style="border: 0px solid transparent;" width="624px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="https://www.facebook.com/womenscenterforcreativework" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Women’s Center for Creative Work</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> + awesome info // goal: bring WCCW to Atlanta</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="456px;" src="https://lh5.googleusercontent.com/N9A5RSdsxv7BEi9tyikj1d9txgOWhb-SUVbZBEy-kin2-lAYts0ChxaaDAlt8Xq3gTmHS9vqjQlGG5Eh5Fb_UpAOuZrRwd_HMhJQ1hwunopkuXqmZM6ec5alAw" style="border: 0px solid transparent;" width="624px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://thestudiogold.net/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Chris Golden</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> + </span><a href="http://thestudiogold.net/EXOTICS-ZINE" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Exotics</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> // Atlanta newbie</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span>
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<span style="font-family: Arial,Helvetica,sans-serif;">Favs from my favs<br /><br /><img height="468px;" src="https://lh5.googleusercontent.com/Fe32ge2yai0JYdNMSRLdFCuGHmJe8FT15jYFGCAj0rTkqdUBLBHKSbA9JG8lCiVHKt23vvvLjGbJOa652wlHMr1WG25EZuVactcP4gzAgFBVV-WLEQp3ndR2MA" style="border: 0px solid transparent;" width="624px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">MILES MATTISON says: </span><a href="http://vuucollective.com/products/native-son-joe-leavenworth" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Native Son</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> by Joe Leavenworth + </span><a href="http://vuucollective.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">VUU Collective</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> Brooklyn, NYC</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="468px;" src="https://lh3.googleusercontent.com/PxwSNvtXt_3C-5CL_cZEjE-p2IniiTQ3D6wwtQ2qqU4mBUCfXLyHyUqTbCUFFOubAIaNZJukWJNkTL6q6yEWTbpb2l8b_cKRYVacf8TPrVGrJNJRnORIeF2AvQ" style="border: 0px solid transparent;" width="624px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://randrenfrow.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">RAND RENFROW</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> says: </span><a href="http://aidankoch.com/index.php?/exhibitions/hylaeus-project/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">The Hylaeus Project</span><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;"> by Lisa Schonberg and Aidan Koch</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> + </span><a href="http://www.publicationstudio.biz/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Publication Studio</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> Portland, OR</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="640px;" src="https://lh4.googleusercontent.com/Z7juddEresbacgszkaswekg4KBiKdywUOrQepBlVSFC5lO9zuOSorzDGTeSO1EjzqK3EQ5NspCQXD151b_LLrxOqnhPeEFKKKy8IFIWeOKk0AXOQuJ2k5nnMOQ" style="border: 0px solid transparent;" width="488px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://www.issue-press.com/artist/george-wietor" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">GEORGE WIETOR</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> says: </span><a href="http://newagedemanded.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">New Age Demanded</span><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;"> by Jon Rafman</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> + </span><a href="http://www.colourcodeprinting.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Colour Code</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> in Toronto, Canada</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="640px;" src="https://lh4.googleusercontent.com/EWYXdPDjsH02ousT0MQIoW5KlpGMcVMeGvkdS6RNyH355LtnRLZSzQqpmZyAW4-W7xQxX7_8aRiHq8ibd-3rQHsQzuQqCv7aVG3SJzGM5Esm2YWHD9lW-QVhFA" style="border: 0px solid transparent;" width="475px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://carsondavisbrown.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">CARSON DAVIS BROWN</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> says: </span><span style="background-color: transparent; color: black; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">Mid to Late 70’s Baseball Dudes</span><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> by Paul Rand + self</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="468px;" src="https://lh5.googleusercontent.com/UR3kvDFnfD0CTnIxzHvr8GBgHQlLzRTdW4S0-Eivjd91xmYJidObFIwlDCjXjJnAT_gV2iPAf3qcOV7Hmynq7CA21QfwnUeo70SdOYCTcWt_WPrRolb4eKRnIA" style="border: 0px solid transparent;" width="624px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://charlottexcsullivan.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">CHARLOTTE SULLIVAN</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> says: </span><span style="background-color: transparent; color: black; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">Speedway</span><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> by </span><a href="http://www.martinahooglandivanow.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Martina Hoogland Ivanow +</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> </span><a href="http://www.livraison.se/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Livraison</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="640px;" src="https://lh3.googleusercontent.com/rv3Yd-SQ7aUFAvHJEcr6b9dNAj8Tjs8HuyIQjhHkRgO-x7xGtV-5FqEkE4eCgAioimcRdL9ZoQDs1fWzrIjrGTDoCtS04RqBu5FlvU9XmEbQM-JWZVr5xfPsaA" style="border: 0px solid transparent;" width="475px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://sarahdarnell.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">SARAH DARNELL</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> says: </span><a href="http://readwax.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Wax Magazine</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="468px;" src="https://lh3.googleusercontent.com/vrDTChhxkBAmV-srdhH4kYa0-GdQ5NBHFGi8l1XTtdRhSSqsyldPJ5jyUyHkDcZiZKsCuUTBt62ytNsMpnyQ436t6Ffz16SZV5lOT3aSABRm57E3qr05_L3ANg" style="border: 0px solid transparent;" width="624px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><a href="http://geoffreyholstad.com/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">GEOFF HOLSTAD</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> says: </span><a href="http://www.issue-press.com/item/drawings-about-black-holes" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: italic; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Drawings About Black Holes</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> by </span><a href="http://patperry.net/" style="text-decoration: none;"><span style="background-color: transparent; color: #1155cc; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: underline; vertical-align: baseline;">Pat Perry</span></a><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"> + Issue Press</span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><br /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span>
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<span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">After the book fair I made cyanotypes in the Pacific ocean:</span></b></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><img height="468px;" src="https://lh5.googleusercontent.com/cN38Ivz4UXjZ41T_j6baBam--rRWue8oXeEvLMI5Iij43lNdg3yzL2NhG3aPawKH0EEh1yD1HifrasIBUle1iANgBU5l_RqKVYIqePjsC_9kKvVT_MwZP0CLKg" style="border: 0px solid transparent;" width="624px;" /></span></div>
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<span style="font-family: Arial,Helvetica,sans-serif;"><img height="468px;" src="https://lh4.googleusercontent.com/p-723spvJaN9iDf0mstNyFCZQ1pI7WwUWUlUhCMwGG2zh7u9VwdF1KmarjI_Yfl6TCedpqymd0TVIzCSo1il3uAaHsLfSMNAgXDPe5dOS0Dwjo1jHkCwsiKVTg" style="border: 0px solid transparent;" width="624px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span></div>
<span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span><img height="640px;" src="https://lh3.googleusercontent.com/Uco7cMuWMvIvOXOfBBW_GVc6o2u2BBxd6Fp0fxk6Y_SqdFVWFnaDkSQ876f_n_ixTKH80gKP0sqL_2b3hNZz6tjWjAShB0awkr849PqUdj4YLMXTKEcUJRVk7w" style="border: 0px solid transparent;" width="480px;" /><span style="background-color: transparent; color: black; font-size: 15px; font-style: normal; font-variant: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-47062103501483343612014-02-06T16:18:00.000-05:002014-02-06T16:18:11.527-05:00Creative Lives and Careers: On Professionalism, pt 2<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>In advance of our <b><i>On Professionalism</i></b> <a href="http://thecontemporary.org/programming/2014-winter-programming/creative-lives-and-careers-on-professionalism/" target="_blank">discussion this Saturday at 11am</a>, we're sharing some information here on STANDARD MEANS. <br /><b><br /></b></span><b><span>Working with commercial gallery </span>contracts, part 2:</b><br /><br /><span></span><span><i>How
formal should your relationship be? Should you receive an artist
contract or instead a sort of a handshake or oral agreement? </i></span></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><i></i></span></span></span><br />
<br /><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span>Below
is a more formal "boilerplate" artist & gallery contract agreement
with legal language. Yesterday we shared a gallery "contract" in the
form of a letter sent to their represented artists, which
is somewhere in the middle of the spectrum between handshake agreement
and legal jargon. </span></span></span></span></span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrPiYHbeqtX56WFfz_0ovCSGHl7yz29NsuLexjfhyphenhyphenxDbXzRmkvKYBYxMLTFi8wwhvCrrAAT5gg97Fsnr1LIO2sS34yWAU5QjxST_K8ZBjN4W6-gMrVtc_ZsFH5-LQy8Vu5nRZHH4y4_qg/s1600/BoilerPlate_artistcontract_Page_1.png" height="640" style="margin-left: auto; margin-right: auto;" width="494" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Page 1</span></td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1EFY6J-4RLH9v7aaW8nRObfvm15iQuRD9NAcOhho5JkWvtUHm-ssXZ3zUcxIMGfqzbu2kDBfISb9nYzpnqUPf6fE8SpijfNbxEDvrYNQ0eHFMYsnIC3LokGegU3wlToksIHkcGoWmz8/s1600/BoilerPlate_artistcontract_Page_2.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM1EFY6J-4RLH9v7aaW8nRObfvm15iQuRD9NAcOhho5JkWvtUHm-ssXZ3zUcxIMGfqzbu2kDBfISb9nYzpnqUPf6fE8SpijfNbxEDvrYNQ0eHFMYsnIC3LokGegU3wlToksIHkcGoWmz8/s1600/BoilerPlate_artistcontract_Page_2.png" height="640" width="494" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Page 2</span></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDqXZsk3FoEquXcex50mUR-r1MnSaU9sOw5uB8vbbksJXnXk40xNAnvN6pT-tUFVuBH42kAb4-Lrypat-LUTdCdn-xYisD_c49AVLwv9KFKliRQ8BiAdbNZF2lSRTZu3cQsL9a73nKlBs/s1600/BoilerPlate_artistcontract_Page_3.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDqXZsk3FoEquXcex50mUR-r1MnSaU9sOw5uB8vbbksJXnXk40xNAnvN6pT-tUFVuBH42kAb4-Lrypat-LUTdCdn-xYisD_c49AVLwv9KFKliRQ8BiAdbNZF2lSRTZu3cQsL9a73nKlBs/s1600/BoilerPlate_artistcontract_Page_3.png" height="640" width="494" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;">Page 3</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimtbONMQ1NtJLCWexkIJRPHj-_CZMG_K0Gwku9IXYr9C9ippSPSu25jQwytSI7ZXnJ4SWY5chW7WHjWCoHWUm2oFYPfvMM9U4lv71RxebusrcGxyKPzglkEUaaEIMnLhYmSFn0HEJPbCA/s1600/BoilerPlate_artistcontract_Page_4.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimtbONMQ1NtJLCWexkIJRPHj-_CZMG_K0Gwku9IXYr9C9ippSPSu25jQwytSI7ZXnJ4SWY5chW7WHjWCoHWUm2oFYPfvMM9U4lv71RxebusrcGxyKPzglkEUaaEIMnLhYmSFn0HEJPbCA/s1600/BoilerPlate_artistcontract_Page_4.png" height="640" width="494" /></a></td></tr>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span><br /><br /><br /> </span></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8541671549444030166.post-51737465260880121122014-02-05T16:22:00.001-05:002014-02-05T16:22:21.707-05:00Creative Lives and Careers: On Professionalism<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">In advance of our <b><i>On Professionalism</i></b> <a href="http://thecontemporary.org/programming/2014-winter-programming/creative-lives-and-careers-on-professionalism/" target="_blank">panel this Saturday at 11am</a>, we'll be sharing some information here on STANDARD MEANS. <br /><b><br /></b></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>Working with commercial galleries</b></span></span><br /><br /><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><i>How formal should your relationship be? Should you receive an artist contract or instead a sort of a handshake or oral agreement? <br /></i>Here's one actual gallery "contract" sent to their represented artists, which is somewhere in the middle of the spectrum. Tomorrow, we'll share a formal contract.</span></span><br />
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